
Not yet 30, Lola controls her personal life with the same ruthless efficiency she uses to optimize profits in her job as a high-powered business consultant. No one knows about her older sister Conny or her family's history of mental illness. But when a tragic event forces Conny back into Lola's life and her secrets begin to unravel, Lola's grip on reality slips away.... (Full plot summary below)
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Not yet 30, Lola controls her personal life with the same ruthless efficiency she uses to optimize profits in her job as a high-powered business consultant. No one knows about her older sister Conny or her family's history of mental illness. But when a tragic event forces Conny back into Lola's life and her secrets begin to unravel, Lola's grip on reality slips away.
Leave your thoughts about The Ground Beneath My Feet.
| TheWrapCarlos AguilarThe Ground Beneath My Feet is essential viewing for our anxiety-ridden times. |
| Los Angeles TimesRobert AbeleKreutzer, who wrote the screenplay, proves especially adept, in conjunction with editor Ulrike Kofler, at the natural suspense of pinging between Lola’s professional and personal lives, and where the vulnerabilities in one bleed into the other. It’s a steady tension that’s greatly enhanced by Kreutzer’s spatially conscious visual style. |
| The Hollywood ReporterBoyd van HoeijThis is at once an accessible art house drama about Lola’s emotionally frayed sisterly and amorous ties and a clinically observed portrait of a 21st-century woman trying to stay afloat in a ruthlessly profit-oriented economy where feelings are the enemy of efficiency. |
| Screen InternationalLee MarshallThere’s a discourse going on here about family and memory, about what we lose if we turn ourselves into work machines who can “pull a 48” (go for 48 hours without sleep) that leeches subtly into the fabric of Kreutzer’s psycho-drama, buoyed by a fine use of setting, camera focus and colour. |
| VarietyJessica KiangWithout proselytizing, and without distracting from the main thrust of her gripping, intelligent psychodrama, Kreutzer and her predominately female team have created a story both knottily specific and usefully general in its understanding that for many women, an ultimately untenable level of watchful self-control is the price of ambition. |
| The GuardianPeter BradshawThe transgressive threat approaches and recedes like thunder, leaving us with a study in loneliness. |
| The Observer (UK)Wendy IdeThis oppressive, atmospheric Austrian drama takes the kind of alpha female high achiever familiar from Maren Ade’s Toni Erdmann, but undermines her with splinters of Hitchcockian paranoia. |
| San Francisco ChronicleDavid LewisThe Ground Beneath My Feet consistently serves as a powerful showcase for the talented Pachner, who manages a performance that is both distant and achingly vulnerable. |