
Anura is a loyal soldier tainted by the tedium of a service he has forgotten how to define. His only company at the remote outpost is an alcoholic soldier named Piyasiri, whom he sees in passing as they trade shifts. Anura finds that even the prankish behavior of the infrequently passing soldiers isn't enough to offset the numbing stillness of his eternal wait anymore. Even at home, the inertia of the emotionless landscape persists, and between disconnected sexual encounters ... (Full plot summary below)
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Anura is a loyal soldier tainted by the tedium of a service he has forgotten how to define. His only company at the remote outpost is an alcoholic soldier named Piyasiri, whom he sees in passing as they trade shifts. Anura finds that even the prankish behavior of the infrequently passing soldiers isn't enough to offset the numbing stillness of his eternal wait anymore. Even at home, the inertia of the emotionless landscape persists, and between disconnected sexual encounters with his disinterested young wife, Lata detached conversations with his single sister, Soma, and the heart-breaking dejection of their young charge, Batti, it appears as if, in this war-torn wasteland, hope is nothing more than forgotten emotion and routine is the only nourishment for a collection of sad, starved souls.
Leave your thoughts about The Forsaken Land.
| Chicago TribuneMichael WilmingtonA stark, lyrical and affecting portrait of war's aftermath. |
| New York PostV.A. MusettoSparse of dialogue and plot (think Andrei Tarkovsky), the import - named best first film at Cannes 2005 - has to do with Sri Lanka's unending civil war and it's devastating effect on residents of a barren no man's land. |
| The New York TimesManohla DargisMr. Jayasundara studied film in France and has probably watched his share of classic European art cinema. Although his influences may originate closer to home (in interviews he has name dropped the venerated Sri Lankan auteur Lester James Peries), his use of landscape to convey states of mind suggests that he has more than a passing acquaintance with the work of Michelangelo Antonioni. |
| Village VoiceJ. HobermanBeautiful but withholding, The Forsaken Land doesn't offer much in the way of explanation -- the soundtrack features more birdcalls than dialogue -- but the 27-year-old filmmaker's command of film language is evident and his evocation of postwar trauma is haunting. |
| VarietyJay WeissbergThere's poetry in The Forsaken Land -- not the written kind (there's barely any dialogue) -- but visual poetry replete with still, painterly compositions and finely nuanced lighting. |
| Chicago ReaderJ.R. JonesJayasundara dispenses with conventional story pacing to alternate long, static scenes with moments of revelatory lust or violence; as a press release states, the movie is "composed of uncanny set pieces portraying sex, death, and waiting," though its aesthetic achievement may lie in making all three feel like the same thing. |
| User ReviewFRETIYRThis is a great film about sri lanka in times of war and destruction. This film is great and very emotional. |