
It's Harold's birthday, and his closest friends throw him a party at Michael's apartment. Among Harold's presents is "Cowboy", since Harold may have trouble finding a cute young man on his own now that he's getting older. As the party progresses the self-deprecating humor of the group takes a nasty turn as the men become drunker. Climaxed by a cruel telephone "game" where each man must call someone and tell him (or her?) of his love for them.... (Full plot summary below)
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It's Harold's birthday, and his closest friends throw him a party at Michael's apartment. Among Harold's presents is "Cowboy", since Harold may have trouble finding a cute young man on his own now that he's getting older. As the party progresses the self-deprecating humor of the group takes a nasty turn as the men become drunker. Climaxed by a cruel telephone "game" where each man must call someone and tell him (or her?) of his love for them.
Leave your thoughts about The Boys in the Band.
| San Francisco ChronicleMick LaSalleThis film, directed by William Friedkin and based on Mart Crowley's breakthrough play, is often dismissed (sometimes by people who haven't seen it) as sappy and dated. But on second look, it's one of the important films of the 1970s. |
| Journal and Courier (Lafayette, IN)Bob Blooma breakthrough film in the gay film genre; but dated by today's standards |
| Entertainment WeeklyAri KarpelThis heavy-handed relic of a self-loathing time proves surprisingly relevant — not to mention funny, disturbing, and deeply moving. |
| The A.V. ClubNoel MurrayWhatever a person's opinion of the play's accuracy, William Friedkin's 1970 film adaptation remains gripping, translating a story that takes place in a cramped apartment into a movie that rarely feels stagey. |
| Film ThreatPhil HallThese are not the type of gay boys that you would like to take home. |
| San Francisco ChronicleEdward GuthmannIn one sense it's aged surprisingly little -- the language and physical gestures of camp are largely the same -- but in the attitudes of its characters, and their self-lacerating vision of themselves, it belongs to another time. And that's a good thing. |
| Slant MagazineBill WeberThe sizzle of the bon mot-tossing ensemble, intact from the stage original, is bracing and fuels the film’s momentum, along with Crowley’s lacerating dialogue. |
| The SpectatorPenelope HoustonThe combination of schoolgirl confessional... with a discernible element of holier-than-thou voyeurism does give off a certain sliminess. |
| Village VoiceAndrew SarrisCrowley has a good, minor talent for comedy-of-insult, and for creating enough interest, by way of small character revelations, to maintain minimum suspense. |
| Chicago ReaderDave KehrWilliam Friedkin's direction of this 1970 film adaptation (made the year before The French Connection) doesn't do much more than underline the flaws in the material: every scene is shaped to build to the same forced hysteria. |