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| The PlaylistMarya E. GatesThe Blue Caftan deftly explores the complexities of interpersonal and romantic relationships. Halim, Mina, and Youssef share a love for each other and for their shared craft. They want to find happiness in this life without any regard for how society dictates they should. Touzani’s film is a rich, vibrant ode to love in all its many forms. |
| The Hollywood ReporterDavid RooneyThis is compelling storytelling by any standard, its supple rhythms hypnotic, its atmosphere potent and its prevailing hushed tone and intimate camerawork affording us the closest possible access to three characters who in turn are constantly studying one another. The actors playing those three points of a complicated triangle could not be better. |
| Los Angeles TimesCarlos AguilarAn exquisitely tender tribute to love in its purest expression, The Blue Caftan doesn’t romanticize the complications and conflicts facing its two soulmates, and precisely because of that it feels like an utterly honest tale of romance. |
| San Francisco ChronicleG. Allen JohnsonThe Blue Caftan, like its title garment, has a handmade, lived-in quality, an authenticity that marks Touzani — a former journalist making her second feature — a director to watch. |
| New York Magazine (Vulture)Roxana HadadiMaryam Touzani’s film is as precise and vivid as its titular garment. |
| Slant MagazineDiego SemereneThe film is best experienced by simply wallowing in the lushness of its fabrics, sartorial and symbolic alike, refusing the temptation to unspool its poetic parallels. |
| Screen DailyJonathan RomneyThe Blue Caftan is a keenly tuned, non-judgmental exploration of an enduring relationship that has thrived despite the stresses of conflicting desires and the pressures of social norms. |
| IndieWireChristian ZilkoThe Blue Caftan is a film about the many different kinds of love — romantic, platonic, familial, sexual — and the ways they can’t help but intersect at complicated moments in our lives. |
| The Observer (UK)Wendy IdeIt’s a gentle piece of Arabic-language storytelling, one that softly, slowly enfolds the audience rather than propels them on a journey. |
| RogerEbert.comGlenn KennyThe situations in this scrupulous, compassionate, and quietly captivating picture, written and directed by Maryam Touzani, are tense, to be sure. But the movie itself doesn’t surrender to the tension. It depicts unruly passions as they stir the lives of circumspect characters. |
