Two Catholic schoolgirls Kat (Kiernan Shipka) and Rose (Lucy Boynton) get left behind at their boarding school over winter break as the other girls leave, where it's rumored that the nuns are satanists. Meanwhile, a disturbed mental patient Joan (Emma Roberts), an escapee, is picked up by a middleage couple (James Remar and Lauren Holly) who drive her on a determined trip to the same school, where the girls must face the supernatural and demonic possession.... (Full plot summary below)
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Two Catholic schoolgirls Kat (Kiernan Shipka) and Rose (Lucy Boynton) get left behind at their boarding school over winter break as the other girls leave, where it's rumored that the nuns are satanists. Meanwhile, a disturbed mental patient Joan (Emma Roberts), an escapee, is picked up by a middleage couple (James Remar and Lauren Holly) who drive her on a determined trip to the same school, where the girls must face the supernatural and demonic possession.
Leave your thoughts about The Blackcoat's Daughter.
| The Hollywood ReporterLeslie FelperinAs with so many of the best mystery-horror films, the optimum way to enjoy a first viewing of this is try to remain as ignorant as possible about what happens. That said, it also brims with tiny, blink-and-you'll-miss-them details that will repay repeat viewings. |
| The New York TimesJeannette CatsoulisThe movie is so perfectly acted and gorgeously filmed (the cinematographer is Julie Kirkwood) that we don’t mind its coyness; the twanging notes of trepidation make us almost grateful for the leisurely build. |
| The A.V. ClubA.A. DowdThe Blackcoat’s Daughter is a clammy hand on the back of the neck, a chill running down the spine, a shot of ice water straight to the veins. Every moment, almost every shot, has been carefully calibrated to stand hairs on end. |
| Los Angeles TimesNoel MurrayEventually, The Blackcoat’s Daughter connects the pieces and ends strongly, though Perkins smartly spends more creative energy on crafting creepy situations than on pointing toward the payoff. |
| Village VoiceAlan ScherstuhlFew horror debuts unnerve and fascinate as much as this one. |
| VarietyJoe LeydonIn addition to everything else he does right in February, Perkins plays fair: When you replay the movie in your mind after the final fadeout, you realize that every twist was dutifully presaged, and the final reveal was hidden in plain sight all along. |
| Consequence of SoundRandall ColburnThis is the kind of film that follows you home, that makes you scared to enter a dark alley or go in the basement. |
| The Film StageMichael SnydelA stylish exercise in dread, teasing out its slow-drip horrors with precision, and building a deliriously evil presence that hovers along the fringes. |
| Arizona RepublicBill GoodykoontzThe film gets gory toward the end, and as with most horror films, the climax isn’t as satisfying as the build-up. But Perkins builds layer after layer of dread, so that when an explosion finally occurs, it’s almost a twisted relief. |
| IndieWireEric KohnThe root of evil in The Blackcoat’s Daughter isn’t particularly original or deep, but the movie’s twisty plot and eerie atmosphere makes it deeply unsettling anyway. |
