
In 1943, a young painter, Françoise Gilot (1921- ) (Natascha McElhone) meets Pablo Picasso (1881-1973) (Sir Anthony Hopkins), already the most celebrated artist in the world. For the next ten years, she is his mistress, bears him two children, is his muse, and paints within his element. She also learns slowly about the other women who have been or still are in his life: Dora Maar (Julianne Moore), Marie-Thérèse (Susannah Harker) (whose daughter is Picasso's), and Olga Kokl... (Full plot summary below)
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In 1943, a young painter, Françoise Gilot (1921- ) (Natascha McElhone) meets Pablo Picasso (1881-1973) (Sir Anthony Hopkins), already the most celebrated artist in the world. For the next ten years, she is his mistress, bears him two children, is his muse, and paints within his element. She also learns slowly about the other women who have been or still are in his life: Dora Maar (Julianne Moore), Marie-Thérèse (Susannah Harker) (whose daughter is Picasso's), and Olga Koklowa (Jane Lapotaire), each of whom seems deeply scarred by their life with Picasso. Gilot's response is to bring each into her relationship with Picasso. How does one survive Picasso? She keeps painting, and she keeps her good humor and her independence. When the time comes, she has the strength to leave.
Leave your thoughts about Surviving Picasso.
| The New York Review of BooksJohn RichardsonSurviving Picasso not only fails to entertain; it puts the artist and his work at considerable risk by playing into the hands of modern-art-haters, in this respect like the book on which it claims to be based. |
| Entertainment WeeklyOwen GleibermanCool, assured, emotionally remote, Merchant Ivory's Surviving Picasso is never less than watchable, but it's also a cinematic paradox, a movie that works to capture Picasso from every angle yet somehow misses the fire in his belly. |
| San Francisco ChronicleEdward GuthmannAn absorbing look at emotional tyranny, with a great screenplay by Ruth Prawer Jhabvala. |
| The New York TimesJanet MaslinFreed from the slavishness of most authorized biography, the film makers try bold strokes. |
| VarietyDaniel M. Kimmel...a stunning debut by Natascha McElhone... |
| Boston GlobeJay CarrLatest Merchant Ivory production (produced with David Wolper) is a winner in spite of relatively modern look to the film. |
| Spirituality and PracticeFrederic and Mary Ann BrussatCovers ten turbulent years in the life of this major luminary of 20th century art. |
| Seattle Post-IntelligencerWilliam ArnoldThe movie breaks down into anecdotes that don't flow or build, and everything is narrated by the Gilot character. |
| Los Angeles TimesKenneth TuranSurviving Picasso is quite well made and easy enough to watch, but it's not noticeably challenging or involving. |
| Chicago ReaderJonathan RosenbaumNot a movie that needs to exist, but it passes the time, and at least Hopkins manages to look like Picasso at odd moments. |