
A research scientist conducting experiments on a new anesthetic finds herself being blackmailed by a woman she accidentally knocked down with her car; the woman wasn't hurt, but a scheming attorney has convinced her she can get a lot of money for the "accident." Meanwhile, the scientist's research assistant, who is in love with her boss' boyfriend, arranges for an explosion in the laboratory that disfigures the scientist's face, in order to take the boyfriend away from her. T... (Full plot summary below)
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A research scientist conducting experiments on a new anesthetic finds herself being blackmailed by a woman she accidentally knocked down with her car; the woman wasn't hurt, but a scheming attorney has convinced her she can get a lot of money for the "accident." Meanwhile, the scientist's research assistant, who is in love with her boss' boyfriend, arranges for an explosion in the laboratory that disfigures the scientist's face, in order to take the boyfriend away from her. The scientist has plastic surgery to make her look like the woman who tried to blackmail her--who while struggling with the scientist fell out of a window and was killed--and determines to get back her boyfriend and punish her scheming assistant.
Leave your thoughts about Strange Impersonation.
| User ReviewMax MEccentric but effective film noir with a clever power-play between 3 women. A Repiblic Pictures 68 minute quickie from director Anthony Mann. |
| User ReviewSylvester EOne of Anthony Mann's earlier efforts, and not one of his better known film noirs, this is, if nothing else, a movie that has a good enough sense of humor to bask in its own strangeness. It has a wonderful lead actress in Brenda Marshall, a beautiful screen presence and one who doesn't mind getting a little weird. The plot involves a twisted love triangle in which a jealous lab assistant gets in the way of a brilliant chemist, Nora Goodrich (Marshall), and her fiance by sabotaging an experiment. When the experiment goes wrong after Nora uses herself as a test subject, she becomes horribly disfigured. Then she becomes unwillingly involved in a murder, whose victim is mistaken for Nora, she flees to Los Angeles to undergo plastic surgery. With a whole new face, she goes back to try to discover the truth behind her horrible fate. Yeah, it's a weird story, and it works in spite of itself most of the time. Mann's lively direction is apparent even in this early, crude feature; he lights and frames his subjects wonderfully and spends equal time on their beauty and their ugliness. It is clear that this is an A-list director who just hasn't gotten the chance to break away from B-movies yet. Most viewers will roll their eyes at the ending of the picture, which looks now contrived and overdone, but I find that it works for the movie in a hokey kind of way. |
| User ReviewBen SThe setup for this B movie is great and "Twilight Zone"-esque; you just have to forget that the last scene exists. |