
In 1959, Berry Gordy Jr. gathered the best musicians from Detroit's thriving jazz and blues scene to begin cutting songs for his new record company. Over a fourteen year period they were the heartbeat on every hit from Motown's Detroit era. By the end of their phenomenal run, this unheralded group of musicians had played on more number ones hits than the Beach Boys, the Rolling Stones, Elvis and the Beatles combined - which makes them the greatest hit machine in the history o... (Full plot summary below)
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In 1959, Berry Gordy Jr. gathered the best musicians from Detroit's thriving jazz and blues scene to begin cutting songs for his new record company. Over a fourteen year period they were the heartbeat on every hit from Motown's Detroit era. By the end of their phenomenal run, this unheralded group of musicians had played on more number ones hits than the Beach Boys, the Rolling Stones, Elvis and the Beatles combined - which makes them the greatest hit machine in the history of popular music. They called themselves the Funk Brothers. Forty-one years after they played their first note on a Motown record and three decades since they were all together, the Funk Brothers reunited back in Detroit to play their music and tell their unforgettable story, with the help of archival footage, still photos, narration, interviews, re-creation scenes, 20 Motown master tracks, and twelve new live performances of Motown classics with the Brothers backing up contemporary performers.
Leave your thoughts about Standing in the Shadows of Motown.
| Entertainment WeeklyOwen GleibermanOffers terrific interviews with the surviving Funk Brothers, who provide a tasty insider history of 4 a.m. recording sessions inside ''the snake pit'' (as the fabled Studio A was known) as well as a chilling description of their final kiss-off from Berry Gordy, the Motown mogul who treated them like indentured servants. |
| Christian Science MonitorDavid SterrittRollicking documentary that will have your toes tapping and your ears sizzling whether you're a die-hard Motown fan or not. |
| Montreal Film JournalKevin N. LaforestI got so involved with the Funk Brothers that by the last half hour the musical numbers brought tears to my eyes. |
| Atlanta Journal-ConstitutionEleanor Ringel CaterI promise, you'll never listen to a Motown classic in the same way ever again. |
| Deseret News (Salt Lake City)Jeff ViceIf anything, the film is doing something of a public service -- shedding light on a group of extremely talented musicians who might otherwise go unnoticed and underappreciated by music fans. |
| Charlotte ObserverLawrence ToppmanImpassioned concert sequences with Ben Harper, Chaka Khan, Gerald Levert and especially Joan Osborne prove the Brothers' balanced approach still works on Motown chestnuts. |
| Atlanta Journal-ConstitutionEleanor Ringel GillespieI promise, you'll never listen to a Motown classic in the same way ever again. |
| Journal News (Westchester, NY)Marshall FineReminds you of just what an amazing moment in musical history Motown produced at that time -- as well as the price these musicians (who never received a dime of royalties) had to pay for their loyalty. |
| Wall Street JournalJoe MorgensternWhat blasts off the screen like a heat wave, burning in the heart, is the sheer toe-tapping, booty-shaking joy of making music. |
| The New York TimesA.O. ScottSo good because it is one of those rare documentaries that combine information with smashing entertainment. |