
Two intersecting love triangles. Obsession and betrayal set against the music scene in Austin, Texas.... (Full plot summary below)
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Two intersecting love triangles. Obsession and betrayal set against the music scene in Austin, Texas.
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| Globe and MailJohn SemleyWhere Song to Song most distinguishes itself among Malick’s uniquely rich filmography is its abiding despair. It is his most pessimistic film since "Badlands." |
| The SkinnyIan MantganiIn some ways Song to Song is a more straightforward narrative than the intensely personal Knight of Cups, but just as blindingly beautiful and formally distinctive. |
| Independent (UK)Christopher HootonSong to Song affected me more than any film I've seen in the past few years, not just staying with me for days but making me feel differently about what is right and what is good looking forward, and that is surely something to be cherished. |
| Little White LiesDavid JenkinsHaters be damed - this is one of the year's best. |
| The SkinnyIan MantagniIn some ways Song to Song is a more straightforward narrative than the intensely personal Knight of Cups, but just as blindingly beautiful and formally distinctive. |
| UproxxJosh KurpSong to Song is like watching a gorgeous home video of a family you don't know, and don't want to. |
| ColliderBrian FormoSong to Song is not only the most narratively sound and most naturally acted film from Malick's recent oeuvre, it also becomes a contact high. And for a film about navigating the potential pleasures of a bustling music scene, that's the proper feeling. |
| Associated PressLindsey BahrMalick's just doing his own thing. Everyone's still running to catch up with what he did in the '70s. He's already on another planet. |
| TheFilmFile.comDustin PutmanIt is with heartening exhilaration to announce, then, the Malick of old has finally returned. Confidently sprawling and startlingly clear-eyed, "Song to Song" is of a whole with itself, always lyrical and often breathtaking to watch take shape. |
| Film Journal InternationalDaniel EaganIf there's a sense of diminishing returns to Song to Song, no one makes movies like Malick. |