Something, Anything
Something, Anything

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- 65/100 based on 419 votes

When a tragedy shatters her plans for domestic bliss, a seemingly typical Southern newlywed gradually transforms into a spiritual seeker, quietly threatening the closest relationships around her.... (Full plot summary below)

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Full Plot Details

When a tragedy shatters her plans for domestic bliss, a seemingly typical Southern newlywed gradually transforms into a spiritual seeker, quietly threatening the closest relationships around her.

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Movie Reviews

The Film Stage - 9/10 by Peter LabuzaDon't let the generic title fool you. Paul Harrill's Something, Anything gently tells its story through detailed specificity.
Slant Magazine - 9/10 by Jaime N. ChristleyThe film turns what at first seemingly appears as Kodak moments into a study of a soul in transition.
RogerEbert.com - 9/10 by Michał OleszczykIt is an unmistakably “small” film, but as the story builds up and the characters come into focus, you know you are witnessing something rare and precious: an American independent film that’s understated and intelligent, as well as utterly free of showiness and calculation.
Village Voice - 9/10 by Zachary WigonThis is a sure-handed, complex portrait of one woman's attempts to feel alive.
The New York Times - 9/10 by Jeannette CatsoulisExamining a more generalized discontent through the lens of one woman’s pain, the writer and director, Paul Harrill, concentrates instead on the ordinary details that constitute a life and the way small choices nudge us toward larger ones.
The Skinny - 8/10 by Josh Slater-WilliamsA concise, fascinating exploration of American life, making pointed use of Southern cultural values for a more universal story of malaise and vulnerability.
Looking Closer - 8/10 by Jeffrey OverstreetHarrill has made something quiet, observant, and quite contrary to the popular narrative of American love stories. ... It's poetic, profound, and often very beautiful.
The Dissolve - 8/10 by Matthew DessemSomething, Anything is the rare film that gently asks the big questions, then gives us space, and room.
Variety - 7/10 by Justin ChangMarked by an affecting and understated performance from newcomer Ashley Shelton, this lovely drama tends toward the over-emphatic at times, but overall demonstrates a warm, subtle intelligence in the way it captures a person’s growing sense of dislocation from the traditional pressures of marriage, family and career.
The Hollywood Reporter - 6/10 by John DeForeThe plot reversals of the third act happen rather abruptly, perhaps unbelievably, in comparison to what precedes them. But those who've been in Margaret's shoes may find this appropriate — an honest acknowledgement of the false starts that can result when a newly hatched idealist tries to apply abstract principles to messy human emotions.

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