Smoke Signals
Smoke Signals

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- 72/100 based on 12,232 votes
  • Released: 1998
  • Runtime: 89 mins
  • Director:
  • Studio: ShadowCatcher Entertainment
  • Genres: Drama - Comedy

Young Native American man Thomas is a nerd in his reservation, wearing oversize glasses and telling everyone stories no-one wants to hear. His parents died in a fire in 1976, and Thomas was saved by Arnold. Arnold soon left his family (and his tough son Victor), and Victor hasn't seen his father for 10 years. When Victor hears Arnold has died, Thomas offers him funding for the trip to get Arnold's remains, but only if Thomas can also go with him. Thomas and Victor hit the roa... (Full plot summary below)

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Full Plot Details

Young Native American man Thomas is a nerd in his reservation, wearing oversize glasses and telling everyone stories no-one wants to hear. His parents died in a fire in 1976, and Thomas was saved by Arnold. Arnold soon left his family (and his tough son Victor), and Victor hasn't seen his father for 10 years. When Victor hears Arnold has died, Thomas offers him funding for the trip to get Arnold's remains, but only if Thomas can also go with him. Thomas and Victor hit the road.

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Movie Reviews

San Francisco Chronicle - 10/10 by Peter StackBeautiful in both its brevity and its vision of contemporary Indian culture, the film abounds in easygoing humor.
Rolling Stone - 10/10 by Peter TraversBeach and Adams give remarkable performances that grow in feeling and intensity.
Moviehole - 10/10 by Clint MorrisA brilliantly performed movie....Beach is a knockout
The A.V. Club - 9/10 by Joshua KleinWhat's truly remarkable about Smoke Signals is the depth of the narrative, a touching tale of self-discovery.
L.A. Weekly - 9/10 by F. X. FeeneyThe deeper strength of Smoke Signals rests on the sensitivity and truthfulness of Farmer’s performance as the ebullient, self-hating alcoholic father, and that of Irene Bedard as the young woman he knew in later life.
Washington Post - 9/10 by Stephen HunterAnd that's the surprise of the movie, beyond even the humor and humanity of its inside look at contemporary American Indian culture. It's really the oldest and most primal story forms, the one about the old man and the boy.
EmanuelLevy.Com - 9/10 by Emanuel LevyIt was shocking to realize that as late as 1998, this was still one of the few movies made by insiders, written, directed, and acted by Native Americans. The father-son narrative is conventional but it has humor and is well acted.
Chicago Reader - 8/10 by Jonathan RosenbaumIts particularities are the best thing about it.
Entertainment Weekly - 8/10 by Lisa SchwarzbaumThe film excels in small scenes of cannily chosen Indian everydayness.
Austin Chronicle - 8/10 by Marc SavlovThe cast is uniformly excellent in their roles, and Eyre's persistent use of long, trailing shots reinforces the story's elegiac tone.

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