Sin Nombre
Sin Nombre

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- 75/100 based on 33,622 votes

Honduran teenager Sayra reunites with her father, an opportunity for her to potentially realize her dream of a life in the U.S. Moving to Mexico is the first step in a fateful journey of unexpected events.... (Full plot summary below)

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Honduran teenager Sayra reunites with her father, an opportunity for her to potentially realize her dream of a life in the U.S. Moving to Mexico is the first step in a fateful journey of unexpected events.

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Movie Reviews

Chicago Sun-Times - 10/10 by Roger EbertIt contains risk, violence, a little romance, even fleeting moments of humor, but most of all, it sees what danger and heartbreak are involved. It is riveting from start to finish.
USA Today - 10/10 by Claudia PuigThat this is Fukunaga's first film is astonishing, given its sharp script, technical proficiency and suspenseful pacing. The ensemble cast is top-notch.
Wall Street Journal - 10/10 by Joe MorgensternMr. Fukanaga's purpose is to evoke the immigrants' experience, which he does with such eloquence and power as to inspire awe.
Washington Post - 10/10 by Dan ZakAn elegant, heartbreaking fable, equal parts Shakespearean tragedy, neo-Western and mob movie but without the pretension of those genres.
Chicago Reader - 9/10 by Andrea GronvallWriter-director Cary Fukunaga keeps the story lean while peppering it with realistic details.
New York Post - 9/10 by Lou LumenickForget those weepie liberal clichés. This starless and vividly authentic romantic thriller set in Central America really rocks, and is one of the most exciting directorial debuts in years.
ReelViews - 9/10 by James BerardinelliMore substantive than the average thriller/road movie.
Christian Science Monitor - 8/10 by Peter RainerFukunaga has a fine, spacious film sense and a gift for action, but the doomy, heavy-handed plot devices and overwrought, overacted gangland set pieces betray a novice's hand.
San Francisco Chronicle - 8/10 by Mick LaSalleThere are some brief minutes when the tension drops and the story starts to sag, but Fukunaga almost always fills the frame with something worth seeing, and the story has a built-in suspense.
Los Angeles Times - 8/10 by Betsy SharkeyThere is bitter and breathtaking truth in the story and in the story- telling, which won Fukunaga the directing and cinematography award in the dramatic competition at the Sundance Film Festival.

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