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Leave your thoughts about See How They Run.
| Original-CinKaren GordonThis is the feature film debut of veteran television director Tom George, and his experience directing comedy shows in the perfect comedy timing here. There are small bits that turn into running jokes through the movie. Then again George was given a lot to work with by screenwriter Mark Chappell, whose tight script uses every genre cliche in the service of clever fun. And this top-notch cast is a joy to watch. |
| The Seattle TimesSoren AndersenSee How They Run is the Saoirse Ronan show. Start to finish. Top to bottom, Now and forever. Amen. |
| NMEJames MottramIf you’re looking for a good-old fashioned romp, stylishly made and frequently hilarious, this ticks all the boxes. |
| The Irish TimesDonald ClarkeSee How They Run is not quite so self-regarding as Tom Stoppard’s The Real Inspector Hound, but See How They Run is a delightful, shamelessly affectionate deconstruction of ChristieLand that outstays not a second of its welcome. |
| The TelegraphTim RobeyMark Chappell’s script has a refreshingly high laugh-rate as these things go, with a seam of pure English silliness that sets it well apart from Knives Out, without gunning for anything like that league of plot ingenuity. It’s closer, really, to doing for Christie what Scream did for the slasher flick – goosing the formula with winks and tickles. |
| ReelViewsJames BerardinelliIn terms of humor, See How They Run is more amusing than outrageous. Outside of the few instances of slapstick and physical comedy, it is designed to generate smiles (rather than provoke belly laughs). The script is clever and silly at the same time. (That may seem contradictory but it’s not.) |
| EmpireIan FreerIt works better as a weird relationship movie than a murder-mystery but See How They Run is the whodunnit as hoot, with lots of laughs, oodles of style and played with verve by a quality cast. It also reconfirms Saoirse Ronan as a comedy god. |
| VarietyAmy NicholsonSee How They Run is a retro homage that surprises audiences with giggles and suspense. |
| The GuardianPeter BradshawThere’s a very entertaining daftness and theatre nerdery to See How They Run (the title sounds uncomfortably like Run For Your Wife) as director Tom George takes the same approach to The Mousetrap that Ken Russell took to The Boyfriend: playing up the artificiality of it all. The comedy is shallow in the right way, and Rockwell’s bleary world-weariness contrasts nicely with Ronan’s saucer-eyed idealism. |
| Chicago Sun-TimesRichard RoeperThis is yet another meta story with the characters commenting on the story as it goes along, and while that gimmick is becoming tiresome, this is solidly constructed piece of lightweight entertainment with terrific period-piece costumes and sets, and suitably theatrical performances from a talented cast that is clearly enjoying itself while delivering a quality spoof. |