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Leave your thoughts about Scream VI.
| The PlaylistSimon ThompsonScream VI builds to a powerful third act of grisly mayhem that is one of the best in the series. |
| IGNAmelia EmberwingEmotions and brutality are at an all-time high in Scream 6, setting it up to be the best sequel in the franchise yet. Though it does ultimately fumble the reason for Sidney Prescott’s absence, RadioSilence has officially proven that there’s a future for the franchise with or without its original final girl by giving us strong connections to the new Core Four. |
| We Got This CoveredAlejandra MartinezThe latest installment proves 'Scream' still has the chops to outdo itself consistently and cleverly. An effortless balance of dark comedy and intense set pieces make it worth checking out. Come for the return of a beloved franchise, and stay for a killer joy ride through New York City. |
| Los Angeles TimesKatie WalshWriters James Vanderbilt and Guy Busick keep the blade sharp, while directors Matt Bettinelli-Olpin and Tyler Gillett bring a brawny, bruising and bloody style to this “requel sequel.” |
| ConsequenceClint WorthingtonIt’s well-paced, the kills are inventive, and the gags largely land, especially for hardcore Scream devotees. Bettinelli-Olpin and Gillett finally have a lock on the amped-up Scooby-Doo mystery tone of Craven’s era, and that’s a blessing. |
| Film ThreatJason DelgadoRadio Silence needed to make Scream their own, and they did it in a blaze of blood and guts glory. |
| CineVueChristopher MachellSix films in, Bettinelli-Olpin and Gillett deserve credit for crafting two set pieces that manage to emphasise their characters’ vulnerability and paralysing fear in surprising and unique ways. |
| USA TodayBrian TruittThis “Scream” is neither king of the hill nor top of the heap, but you can’t be too mad at a picture that makes a cathartic treat out of a plunged knife in the eye. |
| Chicago Sun-TimesRichard RoeperOf all the ridiculous and overblown albeit entertainingly grisly “Scream” finales, this might be the most outlandish and spectacularly brutal ending of all. |
| The Film StageMatt CipollaAs a whodunnit it largely works, save one aspect easy to spot miles away. Stakes-wise it’s high, even if it pulls its punches once or twice on who bites the bullet. As a return to form for Scream, this is a sigh of relief––notwithstanding some key issues VI has a freewheeling sense of lunacy, and it’s way too fun to decry. |
