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Leave your thoughts about Sanctuary.
| VarietyAmy NicholsonThis is a terrifically nasty thriller about seizing control, over others and over oneself. Wigon proves to have a great grasp on it, as well; his assuredness is half of the film’s success. |
| The Hollywood ReporterJohn DeForeMargaret Qualley and Christopher Abbott make an exceptionally good team here, in a film that requires a deep sexual chemistry but keeps sex itself almost entirely out of the picture. Careening from one kind of intensity to another, the encounter excites without prurience and, like the transactions it depicts, is more concerned with psychology than sex in any case. |
| Slant MagazineGreg NussenThis is a theatrical story told in a purposefully and self-consciously theatrical manner. |
| RogerEbert.comKatie RifeThis is a film fueled by writing and performance. Writer Micah Bloomberg’s script ingeniously incorporates the movie’s themes into its structure, and Qualley and Abbott—but especially Qualley—playfully keep the audience guessing throughout. |
| Austin ChronicleRichard WhittakerThe deepest pleasures of Sanctuary are in how Abbott and Qualley – both identifiably horny and human – suck every drip of pleasure out of Micah Bloomberg's script. |
| The New York TimesJeannette CatsoulisThe writing (by Micah Bloomberg, a creator of the 2018-20 TV series “Homecoming”) is so sharp, the acting so agile and the cinematography (by Ludovica Isidori) so inventive that what could have been a stuffy experiment in lockdown filmmaking is instead a vividly involving battle of wills. |
| SlashfilmErin BradyBy focusing on the shifting dynamics between our two characters and nothing else, viewers are treated to a cat-and-mouse game where its players refuse to let up. With the infectious energy of Qualley and Abbott, along with set-altering cinematography and a tight script, there is a lot to love about this new, sick take on the sex comedy. |
| The Daily BeastNick SchagerThere’s no way to get a total read on what Qualley’s protagonist is up to, which turns out to be the primary thrill of this snapshot of personal, professional, and class warfare. |
| IndieWireDavid EhrlichThe results are delightful and exasperating in almost perfectly equal measure until a last-minute hail Mary ends the movie on such a high that even its hoarier stretches seem like they were worth the walk in hindsight. |
| The Film StageJared MobarakAbbott and Qualley unload everything from physical to emotional to psychological abuse, both roles desperate to solidify their respective superiority and restore the status quo. Rediscover balance by admitting their desires. Who knows? They might just fulfill them too. |