Cleo is one of two domestic workers who help Antonio and Sofía take care of their four children in 1970s Mexico City. Complications soon arise when Antonio suddenly runs away with his mistress and Cleo finds out that she's pregnant. When Sofía decides to take the kids on vacation, she invites Cleo for a much-needed getaway to clear her mind and bond with the family.... (Full plot summary below)
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Cleo is one of two domestic workers who help Antonio and Sofía take care of their four children in 1970s Mexico City. Complications soon arise when Antonio suddenly runs away with his mistress and Cleo finds out that she's pregnant. When Sofía decides to take the kids on vacation, she invites Cleo for a much-needed getaway to clear her mind and bond with the family.
Leave your thoughts about Roma.
| Financial TimesRaphael AbrahamCuarón shoots in a generous widescreen that seems to take in all the sights, sounds and even smells of barrio life. |
| NewcityRay PrideDogs everywhere. Human cannonballs... The occasional earthquake. A street massacre... There is blood and birth and gunfire and the eternal pull of the ocean itself, the great, sweeping, amniotic yet deadly sea. |
| L.A. BizAnnlee EllingsonCuarón depicts these small moments with cinematic virtuosity, filming in rich black and white -- the director did his own cinematography -- with long continuous takes. |
| The New YorkerAnthony LaneRoma is persuasive in its beauty. It wins you over. The face of Aparicio, in the leading role, is not placidly resigned but serene in its stoicism, and if she is less a participant than a bystander during the major convulsions of the era, well, few of us can claim to be much more. |
| Chicago TribuneMichael PhillipsRoma gives you so much to see in each new vignette, in every individual composition, in fact, that a second viewing becomes a pleasurable necessity rather than a filmgoing luxury. |
| The Seattle TimesMoira MacdonaldAlfonso Cuarón’s Roma is a wondrously pure example of one of the great gifts that cinema can give us: to drop us into a time, a place and a life; immersing us in the sounds and the sights and the emotions, large and small, experienced by someone we’re not. |
| Rolling StonePeter TraversIf a thing of beauty is a joy forever, as John Keats famously said, then the surpassing loveliness and bracing brilliance of Alfonso Cuarón’s Roma will never pass into nothingness. |
| Winnipeg Free PressAlison GillmorMoving quietly through a year in Cleo's life and using beautiful black-and-white cinematography, the film is deeply emotional but rigorously unsentimental. |
| Entertainment WeeklyChris NashawatyExperiencing the lovely and lyrical Roma, you get the impression that at age 56, Cuarón not only wanted to get these still-vivid memories down on film, but that he also needed to. You’ll be glad he did. Because movies with this much empathy and humanity don’t come along very often. |
| RogerEbert.comBrian TallericoCuaron has made his most personal film to date, and the blend of the humane and the artistic within nearly every scene is breathtaking. It’s a masterful achievement in filmmaking as an empathy machine, a way for us to spend time in a place, in an era, and with characters we never would otherwise. |
