Rio Lobo
Rio Lobo

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- 67/100 based on 13,190 votes

Bent on unearthing the two Union traitors who sold gold shipment information to Confederates and caused the death of a dear brother-in-arms, the battle-tested former Union cavalry officer, Colonel Cord McNally, teams up with a pair of ex-Confederates after the Civil War. Now, as friends, the McNally and the Confederate captain Pierre Cordona ride into Rio Lobo--a dusty town in the middle of the desert overcome by corruption--to bring to justice the remaining traitor who sold ... (Full plot summary below)

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Full Plot Details

Bent on unearthing the two Union traitors who sold gold shipment information to Confederates and caused the death of a dear brother-in-arms, the battle-tested former Union cavalry officer, Colonel Cord McNally, teams up with a pair of ex-Confederates after the Civil War. Now, as friends, the McNally and the Confederate captain Pierre Cordona ride into Rio Lobo--a dusty town in the middle of the desert overcome by corruption--to bring to justice the remaining traitor who sold McNally out; however, the town is rife with the betrayer's murderous cut-throats. Can McNally avenge his bosom buddy and clean up Rio Lobo?

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Movie Reviews

Chicago Sun-Times - 8/10 by Roger EbertThe story itself doesn't matter much. We go to a classic John Wayne Western not to see anything new, but to see the old done again, done well, so that we can sink into the genre and feel confident we won't be betrayed.
Time Out - 8/10 by Geoff AndrewIf it lacks the formal perfection of Rio Bravo and the moving elegy for men grown old of El Dorado, it's still a marvellous film.
EmanuelLevy.Com - 8/10 by Emanuel LevyHawks last Western is his weakest collaboration with Wayne, but the film offers an occasion to see the aging Duke trying to rise above the routine plot and amateurish ensemble, including Sherry Lansing who would become a powerful Hollywood studio exec.
Empire - 6/10 by Ian NathanFairly routine western makes a disappointing swansong for Hawks. Still good fun though, if you like this kind of thing.
Chicago Reader - 5/10 by Jonathan RosenbaumWhile no Hawks movie can be considered a total loss, this reductive replay of Rio Bravo and El Dorado is too peevish to qualify as tragic, and only occasionally funny.
Movie Metropolis - 5/10 by John J. Puccio...it appears both the Duke and Hawks sort of walked through this one.
Kansas City Kansan - 4/10 by Steve CrumWayne is always fun to watch, even in lesser form here.
TIME Magazine - 4/10 by Jay CocksThere are a few good scenes—an intricately executed train wreck, for example—but the movie is notably slack where it should be zestful.
User Review - 10/10 by Amber SWhile hardly the most auspicious of swan songs, Hawks? underrated final film sees a reprise of some of his favorite themes ? including the siege/hostage exchange situation from RIO BRAVO (1959), a Western he had already partially remade as EL DORADO (1966); incidentally, John Wayne starred in all three titles. It opens with an elaborate gold shipment robbery from a moving train by Confederate soldiers; Wayne is a Unionist Colonel who goes after the culprits but, the war over, befriends ?enemies? Jorge Rivero and Chris Mitchum when they reveal the identity of a couple of Yankee traitors ? one is a deputy sheriff and the other an unscrupulous landowner (Victor French). The film shares its partnership-between-Union-and-Confederate-soldiers angle with Wayne?s earlier Western THE UNDEFEATED (1969) ? but, Hawks being Hawks, it?s presented here in a far more complex (and rewarding) manner. As is usual for the director, a spirited female protagonist is thrown into the fray ? in this case, Jennifer O?Neill as a traveling-show performer who falls foul of French and his dastardly sheriff (Mike Henry); of course, she becomes romantically involved with Rivero ? a situation Wayne observes with bemusement. Jack Elam is a delight as Mitchum?s trigger-happy coot of a foster parent, making him an ideal replacement for the Walter Brennan of RIO BRAVO. The film also features an unusually wistful score for a genre effort courtesy of Jerry Goldsmith. All things considered, however, RIO LOBO still emerges as the least of the loose Wayne/Hawks Western trilogy: this is chiefly due to severe undercasting when compared to the earlier efforts ? with, say, Rivero being no match for James Caan from EL DORADO. Though a lot of exposition is necessary for the various plot threads to fall into place, the film (co-scripted by Hawks regular Leigh Brackett) provides plenty of action throughout its almost 2-hour length. The climax is exciting and well-staged, and includes the revenge on Henry by a young girl he has viciously scarred for life (played by Sherry Lansing, future head of the Fox and Paramount studios and currently Mrs. William Friedkin) ? which, however, calls for O?Neill to be virtually absent from these final stages and the film to end abruptly (albeit on a running joke involving Wayne)! Unfortunately, too, the DivX copy I watched proved rather hazy and suffered from occasional compression artifacts.
User Review - 10/10 by Michael YOutstanding movie John Wayne is my family favorite actor

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