Repo Man
Repo Man

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- 69/100 based on 39,439 votes

Frustrated punk rocker Otto quits his supermarket job after slugging a co-worker, and is later dumped by his girlfriend at a party. Wandering the streets in frustration, he is recruited in the repossession of a car by a repo agent. After discovering his parents have donated his college fund to a televangelist, he joins the repossession agency (Helping Hand Acceptance Corporation) as an apprentice "repo man". During his training, he is introduced into the mercenary and paranoi... (Full plot summary below)

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Actors in Repo Man:

Emilio Estevez
Harry Dean Stanton
Tracey Walter
Olivia Barash
Sy Richardson
Susan Barnes

Full Plot Details

Frustrated punk rocker Otto quits his supermarket job after slugging a co-worker, and is later dumped by his girlfriend at a party. Wandering the streets in frustration, he is recruited in the repossession of a car by a repo agent. After discovering his parents have donated his college fund to a televangelist, he joins the repossession agency (Helping Hand Acceptance Corporation) as an apprentice "repo man". During his training, he is introduced into the mercenary and paranoid world of the drivers, befriended by a UFO conspiracy theorist, confronted by rival repo agents, discovers some of his one-time friends have turned to a life of crime, is lectured to near cosmic unconsciousness by the repo agency grounds worker, and finds himself entangled in a web of intrigue concerning a huge repossession bounty on a 1964 Chevy Malibu driven by a lunatic government scientist, with Top Secret cargo in the trunk.

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Movie Reviews

Chicago Reader - 10/10 by Dave KehrCox's style is a step beyond camp into a comedy of pure disgust; much of the film is churlishly unpleasant, but there's a core of genuine anger that gives the project an emotional validation lacking in the flabby American comedies of the early 80s.
Combustible Celluloid - 10/10 by Jeffrey M. AndersonDespite, or perhaps because of, being British, Cox [has] a great handle on America and L.A.; especially that great chase scene down those concrete water canals at some corner wasteland of the city.
Film Racket - 10/10 by Chris BarsantiA 1984 underground touchstone [that's] a creepy visitation from a fracturing society.
The Dissolve - 10/10 by Scott TobiasArriving in the middle of the Reagan 1980s, Repo Man remains one of the few examples of revolt within the system, and it’s no surprise to learn that Cox is fond of John Carpenter’s 1988 cult classic They Live, which also weds genre mayhem to cutting political satire.
The Telegraph - 10/10 by Phillip HorneThis unforgettable movie is not to be missed – though full of superb jokes, it has a weird integrity, something melancholy and serious, at its core that stays with you.
Slant Magazine - 10/10 by John SemleyPressed, it’s hard to think of five American studio pictures as original as Repo Man. The utter weirdness of Alex Cox’s remarkable debut—a document of L.A.’s hardcore punk scene that’s also an ode to its car culture, a critique of the American middle class, and a kind-of sci-fi comedy about a radioactive Chevy Malibu—would seem to preclude its existence.
Austin Chronicle - 9/10 by Eli KoorisCox, who wrote and directed the film, creates a strange but hilarious view of our culture, a brilliant satire on modern society...deserves the same respect and attention given to "The Rocky Horror Picture Show" and "This Is Spinal Tap," two films that define the cult category.
The New York Times - 9/10 by Vincent CanbyThe real thing. It's a sneakily rude, truly zany farce that treats its lunatic characters with a solemnity that perfectly matches the way in which they see themselves.
The Globe and Mail (Toronto) - 9/10 by Jay ScottA non-stop, shoestring trip with more adventures and a helluva lot more smarts than you'll find in most American movies...All in all, there's more plain fun to be had here in 10 minutes than in a whole hour on the road with that jerk Indiana Jones.
Flick Filosopher - 9/10 by MaryAnn JohansonDeadpan humor, throwaway visual jokes, and oblique political and social satire may have doomed this way-cool flick to the neverland of sci-fi cultdom.

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