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Leave your thoughts about Red, White & Royal Blue.
| San Francisco ChronicleDavid LewisIt’s not easy to make an amusing, accessible diversion that mixes LGBTQ positivity and national politics, but “Red, White & Blue” passes the test with flying colors. |
| The Seattle TimesMoira MacdonaldTo paraphrase a song that pops up in the film — of course it does — during one of countless swoony moments, you can’t help falling in love with this movie. |
| RogerEbert.comNell MinowDirector Matthew López makes an impressive feature debut with Red, White & Royal Blue, a love story that skillfully blends the familiar beats of a classic movie romance with the distinctive details of two of the world’s most public young men trying to keep their relationship private. |
| IndieWireErin StreckerRed, White, & Royal Blue is a hopeful, fresh twist on a genre that should charm both fans of the book as well as anyone who enjoys a frothy love tale. |
| The A.V. ClubDrew GillisRed, White & Royal Blue, ultimately, isn’t revolutionary. It’s more traditional than not—which means, thankfully, that it’s still a lot of fun. |
| ColliderCarly LaneOverall, in spite of its stumbles, Red, White & Royal Blue is a charming and diverting rom-com that introduces a welcome new viewpoint to the long-running genre — and Alex and Henry's journey to love is sure to please both longtime fans of McQuiston's novel as well as newer arrivals who are looking for a mostly solid entry point into romance itself. |
| Los Angeles TimesMatt BrennanLópez’s film smuggles queer ideas and images into spaces traditionally populated by straight people and shaped by straight tastes. Which is, to be clear, no more the “right” way of updating the genre for the 21st century than any other. It’s just nice, for a change, to come in through the front door. |
| Boston GlobeOdie HendersonRed, White & Royal Blue is sweet and funny, and it doesn’t scrimp on the sex scenes. Horny and corny is a good combination for a rom-com, if you ask me. |
| The New York TimesAmy NicholsonFirst-time director Matthew López gets us rooting for the cheeky couple’s transition from rivals to romantic bedfellows, boosted by the cinematographer Stephen Goldblatt, who photographs the leads so adoringly that you half-expect them to turn to the camera and hawk a bottle of cologne. Thanks to their playful chemistry, we’re sold. |
| Vanity FairRichard LawsonThe familiarity of RW&RB’s obnoxious indulgences are, in some ways, its greatest triumph: its version of storybook love is allowed to be just as annoying, in the same ways, as the heteros’. |
