For centuries, Bordeaux has assumed a mythical status in the world of fine wine as a leitmotif of wealth, power and influence, but its prosperity has always been linked to the capricious nature of markets and the shifting fortunes of global economies. Now change is coming to Bordeaux, with traditional customers like the US and the UK falling away, as China's new rich push prices to stratospheric levels. The demand is unprecedented, but the product is finite and this new clien... (Full plot summary below)
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For centuries, Bordeaux has assumed a mythical status in the world of fine wine as a leitmotif of wealth, power and influence, but its prosperity has always been linked to the capricious nature of markets and the shifting fortunes of global economies. Now change is coming to Bordeaux, with traditional customers like the US and the UK falling away, as China's new rich push prices to stratospheric levels. The demand is unprecedented, but the product is finite and this new client wants it all. Will the China market be the bubble that never bursts or the biggest threat yet to Bordeaux's centuries old reputation?
Leave your thoughts about Red Obsession.
| RogerEbert.comSheila O'MalleyThe footage of Bordeaux is awe-inspiring, with aerial shots of the great chateaux and the vineyards. Closeups of the labels from the different chateaux abound, along with luscious shots of glimmering wine being poured. The obsessive nature of the entire industry is reflected in these shots, a good marriage of theme and form. |
| Flick FilosopherMaryAnn JohansonSly, sometimes funny documentary version of Bottle Shock, with China playing the role of 1970s Napa as it creeps up to smack the snooty Old World wine snobs. |
| ABC Radio (Australia)CJ JohnsonAs much an examination of contemporary Chinese character, ambition and taste as it is of the Chateaux and wines of Bordeaux ... globe-trotting, hugely informative and thoroughly entertaining ... crafted with as much care as the wines we see onscreen. |
| The A.V. ClubNick SchagerSteeped in centuries of custom and dependent on the ever-fickle relationship between soil, weather, and human craftsmanship, the work is likened by Francis Ford Coppola to a “miracle,” and one that tells a story about the time, place, and circumstances that gave each vintage its birth. |
| Slant MagazineKenji FujishimaOffers the ins and outs of the world of wine as an implicit metaphor for art appreciation, from both aesthetic and financial standpoints. |
| The Sunday AgeEd GibbsThe film, which premiered at Robert De Niro's Tribeca Film Festival in New York, proves remarkably enlightening. |
| The New York TimesNicole HerringtonRed Obsession, a little too stuffed for its nearly 80 minutes, may already be dated, since China’s wine fever has cooled recently. Still, the movie raises legitimate concerns about the cultural and economic implications of status-minded overconsumption. |
| VarietyRonnie ScheibThe film’s rather simplistic cultural juxtapositions, pitting artistic appreciators against status-seeking philistines, work best when narrowly focused on the subject of wine. |
| ABC Radio BrisbaneMatthew ToomeyWho'd have thought a film combining red wine with economics could be so informative and entertaining? Red Obsession is one of the year's best documentaries. |
| Urban CinefileLouise KellerLike a fine wine whose pleasures go far beyond its bouquet, the winding journey of this Australian co-production (with France, UK, China and Hong Kong) is long and far-reaching |
