
Returning to Rome after three years in the field, General Marcus Vinicius (Robert Taylor) meets Lygia (Deborah Kerr) and falls in love with her, though as a Christian, she wants nothing to do with a warrior. Though she grew up Roman, the adopted daughter of a retired General, Lygia is technically a hostage of Rome. Marcus gets Emperor Nero (Sir Peter Ustinov) to give her to him for services rendered, but finds himself succumbing gradually to her Christian faith.... (Full plot summary below)
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Returning to Rome after three years in the field, General Marcus Vinicius (Robert Taylor) meets Lygia (Deborah Kerr) and falls in love with her, though as a Christian, she wants nothing to do with a warrior. Though she grew up Roman, the adopted daughter of a retired General, Lygia is technically a hostage of Rome. Marcus gets Emperor Nero (Sir Peter Ustinov) to give her to him for services rendered, but finds himself succumbing gradually to her Christian faith.
Leave your thoughts about Quo Vadis.
| Nitrate OnlineDan LybargerTaylor is as wooden as usual, but the gaudy spectacle is worth the rental price. |
| Chicago Sun-TimesMiriam Di NunzioGolden era MGM takes on Christ! The lavish story of Roman-Christian conflict was universally loved, thanks to star turns by Robert Taylor, Deborah Kerr, and supporting players Peter Ustinov and Leo Genn. |
| Chicago TribuneMichael WilmingtonQuo Vadis is a super-spectacle in all its meaning. That there are shortcomings [in this fourth version of the tale] even Metro must have recognized and ignored in consideration of the project’s scope. |
| EmanuelLevy.ComEmanuel LevyBy today's standards, Mervyn LeRoy's film is a kitschy spectacle, but in 1951, it was immensely popular and MGM spent its biggest budget to date for a star-driven production that shot for a whole year at Rome's Cinnecitta Studios. |
| The Observer (UK)Philip FrenchEnough large-scale spectacle scenes to outweigh the inevitable religiose sludge that creeps in between them. |
| Chicago ReaderJonathan RosenbaumMGM’s opulent version of ancient Rome circa 1951, with Peter Ustinov at his most whimsical doing honors as the mad Nero...Directed with some pizzazz by Mervyn LeRoy. |
| VarietyVariety StaffQuo Vadis is a super-spectacle in all its meaning. |
| Empire MagazineIan NathanEnough large-scale spectacle scenes to outweigh the inevitable religiose sludge that creeps in between them. |
| Video-Reviewmaster.comSteve CrumSuper MGM spectacular, Roman style, headlining Robert Taylor. |
| The IndependentRoger ClarkeWithin and around these visual triumphs and rich imagistic displays is tediously twined a hackneyed romance that threatens to set your teeth on edge. |