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Leave your thoughts about Ponniyin Selvan: Part II.
| RogerEbert.comSimon AbramsRatnam and his collaborators stick the landing on their gargantuan pot-boiler, and while Krishnamurthy’s world may not look as grand as it seemed, either in the moviemakers’ heads or on the page, it is big enough to get lost in. |
| VarietyShalini DoreTwo features spanning five and a half hours may sound like ample time to adapt “Ponniyin Selvan,” and yet, Ratnam might have been better off making this a trilogy, since the books leave so much more that he wasn’t able to include. |
| User Reviewbuckibarnes_17This movie is one of the best work of Mani Ratnam. Even though the climax didn't make much of an impact the rest of the movie is beautifully shot and staged. AR Rahman's brilliant work with the score took the beautifully shot scenes to a whole new dimension. The sequence between Nandhini and Aditha Karikalan was one of the most beautifully shot scene in Indian cinema. Apart from that Mani Ratnam brought the pure form of love between Nandhini and Aditha Karikalan through beautiful shots and the immense coloring in the opening shot of this movie. Aishwarya Rai's acting needs a big shoutout. |
