Rock star Pink Floyd is a tortured soul. Because of his childhood, he has always tried to make meaningful emotional connections to other living creatures. That childhood includes not having a male role model with his father having been killed in the war, his overprotective mother smothering him, and an oppressive school system quashing his natural creativity. Being a rock star, he is often wanted more because of what he is than who he is. The most recent failure in that true ... (Full plot summary below)
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Rock star Pink Floyd is a tortured soul. Because of his childhood, he has always tried to make meaningful emotional connections to other living creatures. That childhood includes not having a male role model with his father having been killed in the war, his overprotective mother smothering him, and an oppressive school system quashing his natural creativity. Being a rock star, he is often wanted more because of what he is than who he is. The most recent failure in that true connection to someone or something else is his marriage, when on tour, he discovers that his wife back home is cheating on him. His response is to go in the opposite direction, by building a figurative wall around him to isolate himself from the rest of the world, but not before showing graphically his feelings on different gut levels. The question becomes if he or anyone else can do anything to tear down the wall in a meaningful way.
Leave your thoughts about Pink Floyd: The Wall.
| Chicago Sun-TimesRoger EbertThose tensions and conflicts produced, I believe, the right film for this material. I don't require that its makers had a good time. I'm reminded of my favorite statement by Francois Truffaut: "I demand that a film express either the joy of making cinema or the agony of making cinema. I am not at all interested in anything in between." |
| Associated PressYardena ArarParker's fatal misjudgment is failing to recognize that a solemnly expressionistic movie presentation of themes from "The Wall" tends to magnify its inherent lack of dramatic substance. |
| GuardianDerek MalcolmParker's visual synthesis with the music, much aided by Scarfe's rip-roaring visions of doom and destruction which turn light into darkness at the flick of a pen rather than a switch, is almost perfect. |
| Boston GlobeBruce McCabeThe film is explosively wild, raw, primitive, sometimes inarticulate. It is also totally theatrical and compelling. It's film as primal scream; seething with anger, alienation and despair. |
| Alternate EndingTim BraytonOne of the more exceptional, unprecedented films to ever come from Great Britain, a guttural howl of rage at the darkest aspects of English culture. |
| The New York TimesJanet MaslinHis The Wall is a good-looking film, and it has no shortage of nerve. When he puts an entire schoolchildren's choir on a conveyor belt leading into a meat grinder as they sing, ''We don't need no education,'' he is being nothing if not bold. These effects, while some are individually powerful, are dwarfed by the towering selfimportance of The Wall and by its lack of focus. |
| TV Guide MagazineNeil JeffriesOverwrought live-action sequences, surreal-to-the-point-of-bewildering animation - The Wall grabs your attention but doesn't know what to say once it's got it. |
| Capital Times (Madison, WI)Rob ThomasVisually stunning and disturbing, an essential midnight movie. |
| User ReviewLori BThis is my favorite movie from my teen and young adult years. I've probably seen it 30 times, under the influence of a great variety of chemicals and under the influence of none. I've seen it on the big screen, the small screen, staged as a laser show, and I owned the cassette and still have the LP sitting in a box somewhere. The music is obviously wonderful, the film is beautifully edited and directed, and the result is a dark and depressing rock opera that is also an unforgettable masterpiece. |
| User ReviewSairz WReally dark and sad, slightly disjointed at times, much like a crazy person's psyche. |
