Paris-Manhattan
Paris-Manhattan

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In Paris, the pharmacist Alice has been an obsessed Woody Allen fan since she was fifteen and has seen all his movies and talks to him alone in her room. When she meets Pierre in a night-club, she finds that he loves jazz and she believes he is her prince charming. But when Pierre sees Alice's sister Hélène, they immediately fall in love with each other and marry each other. Years later, Alice is a spinster that administrates the pharmacy that belonged to her father and bel... (Full plot summary below)

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Full Plot Details

In Paris, the pharmacist Alice has been an obsessed Woody Allen fan since she was fifteen and has seen all his movies and talks to him alone in her room. When she meets Pierre in a night-club, she finds that he loves jazz and she believes he is her prince charming. But when Pierre sees Alice's sister Hélène, they immediately fall in love with each other and marry each other. Years later, Alice is a spinster that administrates the pharmacy that belonged to her father and believes that movies can heal many diseases. However her father insistently tries to find a husband for her. When the alarm technician Victor meets Alice, she does not see any future relationship with him. But one day, Victor brings Alice to meet Woody Allen in Paris and the director gives an advice to Alice.

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Movie Reviews

Movie Nation - 8/10 by Roger MooreParis-Manhattan is an amusing little nothing of a movie built around the wit and wisdom of Woody Allen.
ViewLondon - 8/10 by Jennifer TateThis beautifully shot French romantic comedy about a Woody Allen-obsessed pharmacist struggling to find love in Paris is passionately directed, emotionally engaging and absolutely charming.
HeyUGuys - 7/10 by Stefan PapeCertainly a charming and genial tribute to Allen, it just isn't quite as accomplished or ingenious as his work.
Village Voice - 6/10 by Aaron HillisShallow, witless but pretty enough French ode to Woody Allen.
Daily Express (UK) - 6/10 by Allan HunterThis fizzy romantic comedy is slight but charming and perks up considerably when Allen himself makes an appearance.
Scotsman - 6/10 by Siobhan SynnotThis attempt to Re-Play It Again, Sam isn't nearly as amusing as Allen's early, funny films. Mind you, neither is Allen nowadays.
The List - 6/10 by Eddie HarrisonLellouche does herself no favours by wearing such influences on her sleeve, yet her cast are game, the locations look great, and the whole enterprise has an agreeably frothy touch.
3AW - 6/10 by Jim SchembriFirst-time director Sophie Lellouche keeps this puff pastry-thin piece of romantic fluff as light and inconsequential as it needs to be.
Globe and Mail - 6/10 by Dave McGinnThe premise of Paris-Manhattan is simple enough; unfortunately, so is everything else about writer-director Sophie Lellouche’s debut feature film.
Empire Magazine Australasia - 6/10 by Ed GibbsAs light and airy as a soufflé, but not without charm. Taglioni and Bruel are both convincing as the reluctant lovers who just might embrace the inevitable.

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Paris-Manhattan