
Ram Bowen and Eddie Cook are two expatriate jazz musicians living in Paris where, unlike the U.S. at the time, jazz musicians are celebrated, and racism is a non-issue. When they meet and fall in love with two young American girls, Lillian and Connie, who are vacationing in France, Ram and Eddie must decide whether they should move back to the U.S. with them or stay in Paris for the freedom it allows them. Ram, who wants to be a serious composer, finds Paris too exciting and ... (Full plot summary below)
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Ram Bowen and Eddie Cook are two expatriate jazz musicians living in Paris where, unlike the U.S. at the time, jazz musicians are celebrated, and racism is a non-issue. When they meet and fall in love with two young American girls, Lillian and Connie, who are vacationing in France, Ram and Eddie must decide whether they should move back to the U.S. with them or stay in Paris for the freedom it allows them. Ram, who wants to be a serious composer, finds Paris too exciting and is reluctant to give up his music for a relationship, and Eddie wants to stay for the city's more tolerant racial atmosphere.
Leave your thoughts about Paris Blues.
| CineVueAdam LowesMuch like the multitude of heady jazz numbers that flow throughout the film, Paris Blues is a cool, breezy and laid-back character-led romantic drama with strong turns by the four likable leads, not least the late, great Paul Newman, effortlessly exuding that trademark piercing blue-eyed intensity and magnetism. |
| The SpectatorIsabel QuiglyParis Blues has something of his old intelligence and liking for authenticity. |
| Radio TimesAngie ErrigoAgeing like a fine wine - even with its vintage "Ya dig, baby?" lingo - this offbeat affair from one of Newman's drama teachers and favourite directors, Martin Ritt, is also one of the most delightful jazz movies ever made. |
| EmanuelLevy.ComEmanuel LevyA low key, plotless but charming film that benefits from its appealing cast, Paul Newman, Joanne Woodward, Sidney Poitier and Diahann Carroll, on location shooting in Paris, and Oscar-nominated jazz music from Louis Armstrong and Duke Ellington. |
| The New York TimesJ. HobermanParis Blues is a small movie with large ambitions. |
| OregonianShawn LevyNewman is terrific in the picture, running both hot and cool, but he's upstaged by Woodward, who delivers stunning and surprising emotion in the final scenes. It's really worth seeing. |
| The New RepublicStanley KauffmannFour writers have adapted Harold Flender's novel, whose sole asset was the idea they have minimized ... |
| VarietyVariety StaffWithin its snappy, flashy veneer is an undernourished romantic drama of a rather traditional screen school. |
| The Globe and Mail (Toronto)John DoyleWithin its snappy, flashy veneer is an undernourished romantic drama of a rather traditional screen school. |
| User Reviewwho aThe script does not allow for the characters to develop too much on screen, but their background stories suggested are interesting enough, if you make an effort to connect and project onto the script. Sydney Poitier's character is a jazz musician stifled by the US, looking for a way out in Paris. Paul Newman's character, the drifter. Joanne Woodward's story, although only sketched, also triggers some curiosity. The intentions of the movie are more commendable than the story at times: a critique of racial inequality and an ironical pass at the eternal traveller. Produced by the short-lived Pennebaker Productions, Marlon Brando's production company. |