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Leave your thoughts about Padre Pio.
| The New YorkerRichard BrodyIn its hectic, scattershot way, Padre Pio feels very much of the desperate present day. |
| Slant MagazineWilliam RepassOffering visceral immediacy over meticulous construction, Padre Pio bristles with arresting images. |
| Los Angeles TimesNoel MurrayFor those willing to stretch a little to connect with Ferrara, Padre Pio is often as rewarding as it is challenging. |
| RogerEbert.comBrian TallericoPadre Pio is a therapy session for star Shia LaBeouf, intercut with a story of labor strife in a traumatized Italian village. If that sounds weird, it is, but never in a way that's consistently interesting. |
| The New York TimesGlenn KennyLaBeouf essays a rather, let’s say, contemporary Pio. And completely sinks the picture. |
| Paste MagazineJesse HassengerPadre Pio’s two halves stubbornly, constantly butt heads with each other, stories in catastrophic disharmony. |
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| User ReviewJLuis_001Padre Pio places great emphasis on the performances and strives to provide a compelling narrative experience. However, I find it difficult to say that it has successfully achieved that goal. Nevertheless, the film may appeal to both religious and non-religious audiences. Those familiar with Shia LaBeouf's work know that he takes himself very seriously, perhaps even excessively so, and while this quality may not appeal to everyone, his work offers a sense of complexity and experience that acts as a galvanizing force to see this film through to the end. In conclusion, Padre Pio is a well-made film, but it falls short of being captivating. While it depicts a captivating chronicle, it lacks emotional depth and fails to provoke meaningful reflection after its completion that might give way to creating a lasting impression. However, the credentials of its director and lead actor are more than enough incentive for non-conventional filmgoers to take an interest in it. |
