
When her boyfriend is shot to death in a robbery, LA photographer Sopie Jacobs tries her hardest to put the event behind her. But as she struggles to get over the murder, Sophie's life begins to change, leaving her clueless as to what's coming. But worst of all, the line between reality and fantasy is beginning to shatter.... (Full plot summary below)
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When her boyfriend is shot to death in a robbery, LA photographer Sopie Jacobs tries her hardest to put the event behind her. But as she struggles to get over the murder, Sophie's life begins to change, leaving her clueless as to what's coming. But worst of all, the line between reality and fantasy is beginning to shatter.
Leave your thoughts about November.
| Christian Science MonitorDavid SterrittAn ingeniously scripted psychological thriller. |
| Seattle Post-IntelligencerSean AxmakerFor all its good intentions in exploring the grace of death, November never creates a life outside of its all-too-obvious inspirations and the mystery becomes little more than a groaner. |
| Dallas Morning NewsMario TarradellDirector Greg Harrison seems more interested in pretentiously highbrow visual effects than developing a compelling narrative during November, his convoluted, ineffective psychological thriller. |
| Combustible CelluloidJeffrey M. AndersonIt's no classic, but it has more in the way of brains than many of its fellows. |
| Chicago Sun-TimesRoger EbertCourteney Cox, well known from TV, rarely gets an opportunity to revise her famous image, but here she is serious, inward, coiled. She carries the film; the other characters circulate through her consciousness as possibilities and hypotheses. |
| Jam! MoviesLiz BraunFull of twists and turns and strange developments, but it's frustrating to try to figure out where it's headed. |
| Charlotte WeeklySean O'ConnellIt felt like (November) asked me to drive to a designated location, then kept re-drawing my map. |
| Palo Alto WeeklyJeanne AufmuthAbstract in the extreme but strangely satisfying. |
| L.A. WeeklyF.X. FeeneyA one-woman Rashomon that plays and replays the same traumatic incident, with shifts in nuance. |
| EricDSnider.comEric D. SniderIt's solid filmmaking, moody and dark and evocative. It's not the stuff classics are made of, but it's certainly what 70 minutes of psycho-drama entertainment are made of. |