November
November

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- 54/100 based on 3,128 votes

When her boyfriend is shot to death in a robbery, LA photographer Sopie Jacobs tries her hardest to put the event behind her. But as she struggles to get over the murder, Sophie's life begins to change, leaving her clueless as to what's coming. But worst of all, the line between reality and fantasy is beginning to shatter.... (Full plot summary below)

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Full Plot Details

When her boyfriend is shot to death in a robbery, LA photographer Sopie Jacobs tries her hardest to put the event behind her. But as she struggles to get over the murder, Sophie's life begins to change, leaving her clueless as to what's coming. But worst of all, the line between reality and fantasy is beginning to shatter.

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Movie Reviews

Christian Science Monitor - 10/10 by David SterrittAn ingeniously scripted psychological thriller.
Seattle Post-Intelligencer - 9/10 by Sean AxmakerFor all its good intentions in exploring the grace of death, November never creates a life outside of its all-too-obvious inspirations and the mystery becomes little more than a groaner.
Dallas Morning News - 9/10 by Mario TarradellDirector Greg Harrison seems more interested in pretentiously highbrow visual effects than developing a compelling narrative during November, his convoluted, ineffective psychological thriller.
Combustible Celluloid - 8/10 by Jeffrey M. AndersonIt's no classic, but it has more in the way of brains than many of its fellows.
Chicago Sun-Times - 8/10 by Roger EbertCourteney Cox, well known from TV, rarely gets an opportunity to revise her famous image, but here she is serious, inward, coiled. She carries the film; the other characters circulate through her consciousness as possibilities and hypotheses.
Jam! Movies - 8/10 by Liz BraunFull of twists and turns and strange developments, but it's frustrating to try to figure out where it's headed.
Charlotte Weekly - 8/10 by Sean O'ConnellIt felt like (November) asked me to drive to a designated location, then kept re-drawing my map.
Palo Alto Weekly - 8/10 by Jeanne AufmuthAbstract in the extreme but strangely satisfying.
L.A. Weekly - 8/10 by F.X. FeeneyA one-woman Rashomon that plays and replays the same traumatic incident, with shifts in nuance.
EricDSnider.com - 8/10 by Eric D. SniderIt's solid filmmaking, moody and dark and evocative. It's not the stuff classics are made of, but it's certainly what 70 minutes of psycho-drama entertainment are made of.

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November