
Sybylla Melvyn is an independent young woman who soon after arriving to live with her grandmother, and aunt announces she'll never marry and plans on having a career instead. She attracts the interest of several suitors; bumbling Englishman Frank Hawdon, her handsome neighbour, the handsome young farmer, Harry Beecham, who she's attracted to.... (Full plot summary below)
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Sybylla Melvyn is an independent young woman who soon after arriving to live with her grandmother, and aunt announces she'll never marry and plans on having a career instead. She attracts the interest of several suitors; bumbling Englishman Frank Hawdon, her handsome neighbour, the handsome young farmer, Harry Beecham, who she's attracted to.
Leave your thoughts about My Brilliant Career.
| NewsweekJack KrollMy Brilliant Career doesn't need to trumpet either its or its heroine's originality this loudly. The facts speak for themselves — and so does the radiance with which Miss Armstrong and Miss Davis invest so many memorable moments. |
| The GuardianLuke BuckmasterThe film itself is a kind of free spirit, and one that has made an indelible print on Australian cinema. |
| The A.V. ClubScott TobiasThrough a miracle of timing, Davis landed the lead role in Gillian Armstrong's assured debut feature My Brilliant Career fresh out of performance school, and it's impossible to imagine anyone else playing the part. |
| TIME MagazineJohn SkowThis is a modest, clear sighted film, and it profits considerably from a lack of the bravura landscape photography that most directors would have used to puff up a movie set in Australia. |
| VarietyVariety StaffThis Australian film is a charming look at 19th-century rural days in general and the stirrings of self-realization and feminine liberation in the persona of a headstrong young girl who wants to go her own way. |
| Boston GlobeMichael BlowenIt's hard to imagine a film filled with more quiet integrity, intelligent passion, realistic drama and genuine entertainment than Gillian Armstrong's My Brilliant Career. |
| Slant MagazineKeith WatsonIf the narrative is slightly schematic in the way it sets up a binary between Harry and freedom, it’s never didactic. That’s thanks to Armstrong’s clear-eyed direction, which never feels the need to underline its points, relying on selections from Schumann’s “Scenes from Childhood” to lend the film a mood of droll wistfulness. |
| Christian Science MonitorDavid SterrittThis Australian film is a charming look [from the book by Miles Franklin] at 19th-century rural days in general and the stirrings of self-realization and feminine liberation in the persona of a headstrong young girl who wants to go her own way. |
| Washington PostJudith MartinThe period atmosphere is evoked with careful delicacy, but the characters rarely become more than stereotypes with performances (Judy Davis excepted) to match. |
| Chicago ReaderDave KehrThe action and sentiments are familiar to the point of cliche, and there isn't much life in Gillian Armstrong's academic direction—she keeps pushing ideas over events, and meanings over emotions. But Judy Davis, as a teenage girl who dreams of transcending her rural background to become a cultivated, independent woman, grants the film much charm and passion. |