Monster Hunter
Monster Hunter

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- 52/100 based on 64,791 votes

While on a peril-laden mission to track a missing team of soldiers, hard-as-nails U.S. Army Ranger Captain Natalie Artemis and her elite brothers-in-arms find themselves transported to an alternate universe. There, trapped in a barren desert-world rife with formidable adversaries and subterranean sand-dwelling beasts, for the first time, Captain Artemis and her squad are shocked to discover that their otherwise destructive military weapons are now entirely inadequate to take ... (Full plot summary below)

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Full Plot Details

While on a peril-laden mission to track a missing team of soldiers, hard-as-nails U.S. Army Ranger Captain Natalie Artemis and her elite brothers-in-arms find themselves transported to an alternate universe. There, trapped in a barren desert-world rife with formidable adversaries and subterranean sand-dwelling beasts, for the first time, Captain Artemis and her squad are shocked to discover that their otherwise destructive military weapons are now entirely inadequate to take down the enemy. But, unexpectedly, in their desperate battle for survival, the team stumbles upon a mysterious local huntsman whose superior combat skills allow him to stay one step ahead of the mighty creatures. Is there an escape from the prison realm? Above all, what does it take to become a fearless monster hunter?

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Movie Reviews

The Globe and Mail (Toronto) - 8/10 by Barry HertzMonster Hunter is all sorts of super-dumb fun. And though its middle section lags – there are only so many training montages audiences can handle – Anderson and his wife Jovovich prove that their long-running Resident Evil franchise was no fluke: this is a couple who know how to take the flimsiest of video games and turn them into self-knowing slices of cinematic ridiculousness.
Paste Magazine - 8/10 by Mary Beth McAndrewsThere are monsters, there are explosions and there is Ron Perlman with beautifully feathered hair. This is a film that is all about spectacle. There is no need to ask questions or wonder about certain aspects of the plot: This is another dimension populated with monsters, that’s all you need to know. Monster Hunter asks you to let every fantastical second wash over you.
Original-Cin - 7/10 by Thom ErnstIf our planet should collapse into some colossal cyber-punk afterworld, we can take comfort knowing that Milla Jovovich has our back.
The Film Stage - 7/10 by Eli FriedbergAction sequences are choreographed and edited with a degree of tight conceptual and spatial coherency that puts nearly any Marvel movie to shame, whether close-quarters scuffles or epic woman-on-kaiju confrontations.
Polygon - 7/10 by Chelsea StarkIt’s hard to say if it’s comprehensible to someone who doesn’t love the series, but its bombastic action hardly lags during its hour-and-a-half run time. It’s a happy member of this new class of video game movies written with an obvious love of its lore, though possibly not able to stand up without a deep appreciation for the source material.
The A.V. Club - 7/10 by Ignatiy VishnevetskyThere’s a couple badass heroes with humongous swords, a few big scaly monstrosities, and frequently not much else. The minimalism is consistent with Anderson’s career-long devotion to delivering caloric content with an unlikely combo of classical unities and pounding, insta-dated electronic beats. The movie’s called Monster Hunter—what more could it reasonably need?
New York Magazine (Vulture) - 7/10 by Bilge EbiriThere’s something truly electric about the pure, visual storytelling of Monster Hunter.
NME - 6/10 by Claire LimIf you’re already a fan of the game – and want to see Jovovich at her baddie-squashing best, then you’re in for a treat. And a little brainless escapism never hurt the rest of us either.
Empire - 6/10 by Kambole CampbellDespite a muddled final act, Monster Hunter is satisfyingly efficient, a quick-fire thrill-ride of creepy thrills, nasty kills, and of course, monster-hunting.
The Telegraph - 6/10 by Tim RobeyMonster Hunter is silly, it’s loud, and it has a synth score by Paul Haslinger that pipes away addictively, manoeuvring the film’s tone into an optimal space for this sort of junk. It achieves a kind of jokey bombast.

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