
Alex Lewis (Liam Neeson) is an expert assassin with a reputation for discreet precision. Caught in a moral quagmire, Alex refuses to complete a job that violates his code and must quickly hunt down and kill the people who hired him before they and FBI agent Vincent Serra (Guy Pearce) find him first. Alex is built for revenge but, with a memory that is beginning to falter, he is forced to question his every action, blurring the line between right and wrong.... (Full plot summary below)
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Alex Lewis (Liam Neeson) is an expert assassin with a reputation for discreet precision. Caught in a moral quagmire, Alex refuses to complete a job that violates his code and must quickly hunt down and kill the people who hired him before they and FBI agent Vincent Serra (Guy Pearce) find him first. Alex is built for revenge but, with a memory that is beginning to falter, he is forced to question his every action, blurring the line between right and wrong.
Leave your thoughts about Memory.
| ReelViewsJames BerardinelliMemory plays like a blended cop movie/revenge thriller and exhibits the strengths and weaknesses of both. At its best, it recalls the Mel Gibson movie Payback (which was similarly a remake of an earlier film based on book). |
| Chicago Sun-TimesRichard RoeperNeeson never phones in his performances, but he’s particularly invested this time around, playing a guy who can be a pure killing machine one moment, and as lost as a child the next. Pearce and Bellucci headline the terrific supporting cast, and the 78-year-old Campbell proves he can still direct the hell out of a slick and engrossing thriller. |
| New York Magazine (Vulture)Bilge EbiriIn the end, Memory’s greatest asset might be that it knows exactly what it is — a fun combination of sleazoid action and surprising emotion. It’s the best kind of B-movie. |
| Washington PostMichael O'SullivanMemory is by no means a deep film. But there’s something here that lends the familiar proceedings a bittersweet aftertaste that lingers in the mind. |
| Arizona RepublicBill GoodykoontzMemory is a good-enough movie that could have been a lot better. Neeson is to thank for most of the good. Turns out he, like his characters, does have a particular set of skills. They involve acting. |
| IGNRyan LestonMemory is a well-made if uninspired action flick that forges an interesting new take on the genre… then forgets all about it. |
| San Francisco ChronicleMick LaSalleNeeson also does a good job tracing his character’s cognitive deterioration over the course of the movie. As such, Memory is like a hybrid, mixing serious sections with Neeson’s usual action stuff. Call it a little bit of this and a little bit of that, or not enough of this and not enough of that. |
| VarietyPeter DebrugeIn the end, “Memory” isn’t terribly convincing, but it’s at least trying for something more serious than most. |
| Movie NationRoger MooreIt’s still a half-decent movie, closer to Neeson’s late-career “Taken” peak than his most recent films. But if he’s letting the audience see the writing on the wall, it might be time for him to stop and read it, too. |
| Original-CinJim SlotekDirector Martin Campbell (Casino Royale) seems to be directing by template, never stopping to let us get to know anybody – least of all Neeson’s Alex, who for the most part is only there to kill people. Some things never change. |