Sook-hee is a trained assassin who was born to kill. She was just a little girl when the training started in Yanbian, China. After the death of her mentor, when the chance of starting a new life was given to her, she came to South Korea as a government agent. They promised her that she will be free after ten years of service. So she begins her new life as a theatre actress. But soon two men Joong-sang and Hyun-soo appear in her new life. And she started to find deep dark secr... (Full plot summary below)
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Sook-hee is a trained assassin who was born to kill. She was just a little girl when the training started in Yanbian, China. After the death of her mentor, when the chance of starting a new life was given to her, she came to South Korea as a government agent. They promised her that she will be free after ten years of service. So she begins her new life as a theatre actress. But soon two men Joong-sang and Hyun-soo appear in her new life. And she started to find deep dark secrets about her past. Eventually she take matters into her own hands.
Leave your thoughts about The Villainess.
| The TelegraphRobbie CollinScrambling to keep up is part of the fun, but nowhere near as much fun as the parts where the film settles on a good idea for a set-piece and just gallops with it. |
| Time Out LondonAnna SmithDirector Jung Byung-gil (‘Confessions of Murder’) combines a familiar but fun story with slick combat action, whether it’s in dark streets, seedy clubs or underwater. |
| Total FilmJamie GrahamThe plotting is tangled, the emotional undertow slight, but the action keeps on coming, including a blistering multi-player sword fight on speeding bikes. |
| EmpireHelen O'HaraFrenetic, kinetic action meets satisfyingly soapy drama. See it before everyone tries to copy the best bits. |
| VarietyMaggie LeeChanneling “La femme Nikita,” “Kill Bill,” Nikkatsu’s ’70s female exploitation films and a gazillion Hong Kong martial arts heroines, The Villainess nonetheless succeeds in being one-of-a-kind for its delirious action choreography and overall narrative dementia. |
| IGNEdward DouglasJung’s The Villainess offers enough action to make up for the otherwise confusing complexity of its storytelling. |
| Entertainment WeeklyDarren FranichThe characters come to life when they fight, and seem half-dead when they talk. |
| The Film StageJared MobarakThere’s something about the overwrought relationships and hidden connections that amplify our excitement. Jung is moving things so fast (despite a runtime just over two hours) that we’re never afforded a pause to roll our eyes or laugh. We instead buckle down since each revelation means Sook-hee is given another reason to fight. |
| The A.V. ClubKatie RifeThe Villainess delivers all the overstuffed thrills we’ve come to expect from Korean action cinema. But it also strains under the weight of those expectations. |
| Screen InternationalAllan HunterA satisfyingly convoluted revenge thriller in which the dynamically staged, blood-drenched action sequences are a highlight rather than the film’s sole raison d’être. |
