
Memoirs of My Nervous Illness is based on the 1903 journal written by Daniel Paul Schreber, a distinguished German judge, while incarcerated in an asylum under the watch of the obsessive Dr. Emil Flechsig (Bob Cucuzza). Schreber's insanity was characterized by startling delusions, all chronicled in his journal, including a belief that he directly communicated with God through a secret "nerve language," and a desire to transform himself into a woman. The film depicts the eccen... (Full plot summary below)
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Memoirs of My Nervous Illness is based on the 1903 journal written by Daniel Paul Schreber, a distinguished German judge, while incarcerated in an asylum under the watch of the obsessive Dr. Emil Flechsig (Bob Cucuzza). Schreber's insanity was characterized by startling delusions, all chronicled in his journal, including a belief that he directly communicated with God through a secret "nerve language," and a desire to transform himself into a woman. The film depicts the eccentric man's increasing descent into his alternate universe of supernatural powers. Meanwhile, Flechsig struggles to maintain control of his patient, finding himself both attracted and repelled by Schreber's femininity. The narrative culminates in a courtroom plea by Schreber for his freedom from the asylum.
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| VarietyRonnie ScheibRichly layered picture dramatizes a landmark doctor/patient showdown, chronicles a classic case of transgenderism and reveals how aspects of Schreber's story prefigured Nazism. |
| The New York TimesJeannette CatsoulisJulian P. Hobbs directs by getting out of the way of his star's soulful eyes and considerable talent, allowing Mr. Mays to feed on the tension between the rationality of his character's courtroom argument and the utter lunacy of his beliefs. |
| The Hollywood ReporterFrank ScheckAn accomplished and stylistically audacious effort that all too accurately conveys the confusion and mental disarray of its subject's illness, ultimately to its detriment. |
| Village VoiceEd GonzalezSettles for a stilted design and mode of performance that suggests a bloodless screen adaptation of Edward Gorey illustrations. |
| New York PostV.A. MusettoThe psychobabble makes for dry filmmaking until Schreber starts going fem. From that point on, it's every man for himself. |
| New York Daily NewsElizabeth WeitzmanMays throws himself into the role of a man who attempts to transform into a woman, but his efforts feel like futile flailings: The actor - and his character - are so much bigger than any story we're allowed to see. |