Meet Me in St. Louis
Meet Me in St. Louis

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- 75/100 based on 26,074 votes

St. Louis 1903. The well-off Smith family has four beautiful daughters, including Esther and little Tootie. 17-year old Esther has fallen in love with the boy next door who has just moved in, John. He however barely notices her at first. The family is shocked when Mr. Smith reveals that he has been transfered to a nice position in New York, which means that the family has to leave St. Louis and the St. Louis Fair.... (Full plot summary below)

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Full Plot Details

St. Louis 1903. The well-off Smith family has four beautiful daughters, including Esther and little Tootie. 17-year old Esther has fallen in love with the boy next door who has just moved in, John. He however barely notices her at first. The family is shocked when Mr. Smith reveals that he has been transfered to a nice position in New York, which means that the family has to leave St. Louis and the St. Louis Fair.

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Movie Reviews

New York Times - 10/10 by Bosley CrowtherIn the words of one of the gentlemen, it is a ginger-peachy show.
Creative Loafing - 10/10 by Matt BrunsonOne of Hollywood's all-time great musicals ... Judy has rarely been more lovely than she is here.
Observer (UK) - 10/10 by Philip FrenchJudy Garland has never been more spirited or more poignant.
Hollywood Reporter - 10/10 by Douglas PrattThe joys of the film linger with the music and encourage you to savor the true moments of family togetherness.
PopMatters - 10/10 by Matthew SorrentoCut out as a comic relief, [Margaret O'Brien's] Tootie becomes an integral aspect of the film's psychology, as the repressed middle-class anger rearing, if innocently. (PopMatters Essential Film Performances 2013: Musical/Comedy)
Chicago Reader - 10/10 by Dave KehrOne of the first films to integrate musical numbers into the plot, it explores, without condescension or simplemindedness, the feelings that drive the family members apart and then bring them back together again.
Little White Lies - 10/10 by Cleaver PattersonThe film really belongs to Garland and O'Brien. They make each scene they share pure magic, exuding an effortless confidence which lights up the screen, with the rest of the cast reduced to mere bystanders.
Slant Magazine - 9/10 by Eric HendersonMinnelli's gracefully gliding camerawork is at its absolute best here.
Filmcritic.com - 8/10 by Mark AthitakisThe true magic is in the "Trolley Song" sequence, one of American musical film's finest moments
Common Sense Media - 8/10 by Nell MinowOne of the most loving of all movie families.

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Meet Me in St. Louis