
Mingo County, West Virginia, 1920. Coal miners, struggling to form a union, are up against company operators and the gun thugs of the notorious Baldwin-Felts detective agency. Black and Italian miners, brought in by the company to break the strike, are caught between the two forces. UMWA organizer and dual-card Wobbly Joe Kenehan determines to bring the local, Black, and Italian groups together. While Kenehan and his story are fictional, the setting and the dramatic climax ar... (Full plot summary below)
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Mingo County, West Virginia, 1920. Coal miners, struggling to form a union, are up against company operators and the gun thugs of the notorious Baldwin-Felts detective agency. Black and Italian miners, brought in by the company to break the strike, are caught between the two forces. UMWA organizer and dual-card Wobbly Joe Kenehan determines to bring the local, Black, and Italian groups together. While Kenehan and his story are fictional, the setting and the dramatic climax are historical; Sid Hatfield, Cabell C. Testerman, C. E. Lively and the Felts brothers were real-life participants, and 'Few Clothes' is based on a character active several years previously.
Leave your thoughts about Matewan.
| Orlando SentinelJay BoyarThe movie works the way Westerns have always worked: In clear, simple terms and with straightforward dramatic devices. |
| The New York TimesVincent CanbyThere's not a weak performance in the film, but I especially admired the work of Mr. Cooper, Mr. Tighe, Miss McDonnell, Miss Mette, Mr. Gunton, Mr. Strathairn and Mr. Mostel. They may be playing Social-Realist icons, but each manages to make something personal and idiosyncratic out of the material, without destroying the ballad-like style. |
| Washington PostDesson ThomsonAdd uniformly good acting to Sayles' script of dark coal pits, West Virginia spirit and cowboyish melodrama and you have stirring cinema. |
| EmpireKim NewmanChris Cooper's superb performance and numerous authentic details makes this a little gem. |
| Los Angeles TimesMichael WilmingtonIf Sayles's bite were as lethal as his bark, he might have given this a harder edge and a stronger conclusion. But the performances are uniformly fine. |
| Miami HeraldVicki SandersMatewan is a heartfelt, straight-ahead tale of labor organizing in the coal mines of West Virginia in 1920 that runs its course like a train coming down the track. |
| Chicago TribuneGene SiskelWith his round, ruddy face, Tighe always seems on the verge of derisive laughter or flash-fisted rage; it's enjoyable guessing which fever will surface first. The rest of the movie is less entertaining, a righteous homily without the grits. |
| Chicago TribuneDave KehrSayles must have meant his movie to stir and provoke, but the self-contained look of it yields something else-a sense of quaintness, of harmless nostalgia. |
| Washington PostRita KempleyRiddled with labor rhetoric, this coal-dusted tragedy wavers between well-acted propaganda and historical burlesque. Rambo's reactionism seems almost subtle by contrast. |