
A group of rich Italians head out on a yachting trip to a deserted volcanic island in the Mediterranean. When they are about to leave the island, they find that Anna has gone missing. Anna's boyfriend Sandro and friend Claudia try unsuccessfully to find her. While they are searching, Claudia and Sandro develop an attraction for each other. When they get back to land, they continue the search with no success. Sandro and Claudia proceed to become lovers and all but forget about... (Full plot summary below)
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A group of rich Italians head out on a yachting trip to a deserted volcanic island in the Mediterranean. When they are about to leave the island, they find that Anna has gone missing. Anna's boyfriend Sandro and friend Claudia try unsuccessfully to find her. While they are searching, Claudia and Sandro develop an attraction for each other. When they get back to land, they continue the search with no success. Sandro and Claudia proceed to become lovers and all but forget about the missing Anna.
Leave your thoughts about L'Avventura.
| Chicago TribuneMichael PhillipsIt's easy to bash Antonioni as passe. It's harder, I think, to explain the cinematic power of the way his camera watches, and waits, while the people on screen stave off a dreadful loneliness. |
| MovieMartyr.comJeremy HeilmanPerhaps the quintessential cinematic expression of ennui. |
| Slant MagazineEd GonzalezCharacters root themselves separately in background and foreground planes, their emotional distance rendered via the director's unnerving use of deep focus. |
| Q Network Film DeskJames Kendrickone of those rare achievements that embodies an entirely new mode of film language |
| Filmcritic.comJeremiah KippL'Avventura has still held up remarkably well, perhaps because the creepiness of existence remains topical in these apathetic times. |
| Movie MetropolisChristopher LongThis is a world without design, where characters can no longer single-mindedly pursue goals and resolve problems. |
| CineVueChristopher MachellL'Avventura eschews conventional narrative drive or sophomoric emotional satisfaction in favour of gorgeous compositions, inimitable style and an acerbic sensibility. |
| New YorkerRichard BrodyRightly considered to be a cinematic landmark. |
| Chicago ReaderJonathan RosenbaumIt's a work that requires some patience -- a 145-minute mystery that strategically elides any conventional denouement -- but more than amply repays the effort. |
| Ozus' World Movie ReviewsDennis SchwartzIt's a slow paced personal film that welcomes tedium as readily as mainstream films welcome action. |