Mary Reilly
Mary Reilly

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- 58/100 based on 15,479 votes

Somewhere in England in the nineteenth century. A pretty housemaid works in a nice house, which is Dr. Henry Jekyll's (John Malkovich's) house. Mary Reilly (Julia Roberts) think she found her best job, because she is poor and the doctor is well-known and rich. This movie tells the "Dr. Jekyll and Mr. Hyde" story as a woman sees the two men, one of them is good and the other is evil. And she loves them.... (Full plot summary below)

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Full Plot Details

Somewhere in England in the nineteenth century. A pretty housemaid works in a nice house, which is Dr. Henry Jekyll's (John Malkovich's) house. Mary Reilly (Julia Roberts) think she found her best job, because she is poor and the doctor is well-known and rich. This movie tells the "Dr. Jekyll and Mr. Hyde" story as a woman sees the two men, one of them is good and the other is evil. And she loves them.

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Movie Reviews

ReelViews - 9/10 by James BerardinelliAn engrossing examination of the elemental forces that define human nature.
Chicago Sun-Times - 8/10 by Roger EbertWorks as Gothic melodrama because it understands the genre so well.
Killer Movie Reviews - 8/10 by Andrea ChaseIf nothing else, proves that when you take Julia's lipstick away, much of her appeal goes, too.
eFilmCritic.com - 8/10 by Rob GonsalvesMary Reilly will undoubtedly leave many people cold, but I snuggled into its bleakness.
Washington Post - 7/10 by Rita KempleyToo bad the overreaching script has to go after effects recalling "Alien," but as a stylistic exercise this still has its chills.
Film Scouts - 7/10 by Leslie Rigoulot'Boring' is just about the worst thing a movie can be and Mary Reilly is boring.
Newsweek - 6/10 by David AnsenThis isn't dumb, but it plays out as academically as it sounds, without a shred of true terror and with only the most muted sexual charge. Solemn, portentous and curiously dull, there is simply no chemical charge between Roberts and Malkovich.
Jam! Movies - 6/10 by Liz BraunAs a study of repression, Mary Reilly has some great moments, but it seems director Stephen Frears was aiming for intense and brooding, and boring is what he got.
The New York Times - 6/10 by Janet MaslinA gloomy film with a story whose outcome... is an especially foregone conclusion.
Portland Oregonian - 5/10 by Tim AppeloThe film's chief novelty turns out to be its drab ''literary'' approach to horror.

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Mary Reilly