
Leah, 10, lives in a large vicarage, full of lost souls and the needy. In the day the house is bustling with people; at night it is dark, empty, a space for Leah's nightmares to creep into. A small, nightly visitor brings Leah comfort, but soon she will realise that her little visitor offers knowledge that might be very, very dangerous.... (Full plot summary below)
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Leah, 10, lives in a large vicarage, full of lost souls and the needy. In the day the house is bustling with people; at night it is dark, empty, a space for Leah's nightmares to creep into. A small, nightly visitor brings Leah comfort, but soon she will realise that her little visitor offers knowledge that might be very, very dangerous.
Leave your thoughts about Martyrs Lane.
| The Film StageJared MobarakI think Gough’s performance is easy to discount because she’s often seen in the background, but she delivers an unforgettable descent into anguish and grief. |
| Screen DailyWendy IdeIt’s the kind of horror which eschews jump scares in favour of a more subtle, gauzy sense of unease, a slow-burning discomfort that creeps up on the audience like a half-seen shadow. It’s not exactly terrifying, but there’s an oppressive sense of menace which is magnified by the high-quality performances from the two young stars, and by the nervily watchful camerawork. |
| Movie NationRoger MooreMartyr’s Lane is a reminder that you don’t need entrails and screams, demons and cadavers to cast a ghostly spell. Sometimes, a weathered abandoned doll in a fall-cluttered English garden, a lock of hair or faint scratching at a window is all it takes. |
| Paste MagazineJacob OllerFamiliar pieces playing a familiar game to familiar ends won’t make Martyrs Lane anyone’s favorite horror movie, but it’s put together well enough to offer comfort and intrigue in small doses. |
| RogerEbert.comNick AllenMartyrs Lane is ruled by grief, often dulled and overdrawn by it, but its young surrogates give us the unique opportunity to see its themes presented without compromise. |
| The GuardianPhil HoadThe film coheres quietly, thanks in no small part to the two excellent child performances. |