
Morning reveals New York harbor, the wharves, the Brooklyn Bridge. A ferry boat docks, disgorging its huddled mass. People move briskly along Wall St. or stroll more languorously through a cemetery. Ranks of skyscrapers extrude columns of smoke and steam. In plain view. Or framed, as through a balustrade. A crane promotes the city's upward progress, as an ironworker balances on a high beam. A locomotive in a railway yard prepares to depart, while an arriving ocean liner jostl... (Full plot summary below)
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Morning reveals New York harbor, the wharves, the Brooklyn Bridge. A ferry boat docks, disgorging its huddled mass. People move briskly along Wall St. or stroll more languorously through a cemetery. Ranks of skyscrapers extrude columns of smoke and steam. In plain view. Or framed, as through a balustrade. A crane promotes the city's upward progress, as an ironworker balances on a high beam. A locomotive in a railway yard prepares to depart, while an arriving ocean liner jostles with attentive tugboats. Fading sunlight is reflected in the waters of the harbor... The imagery is interspersed with quotations from Walt Whitman, who is left unnamed.
Leave your thoughts about Manhatta.
| User ReviewAnne FNo story, but to see life in early 1920s New York is fascinating. |
| User ReviewJon SHaving seen images from this film forever, I had no idea how big of a role that narrative and pacing played. And the love and fear Strand and Sheeler had for NYC. |
| User ReviewGreg Wgood silent historical doc looking at manhattan in 1920 |
| User ReviewAlexandre SShort and sweet mood piece that puts you in the New York morning frame of mind...of the '20s at least. |