
24 hours in L.A.; it's raining cats and dogs. Two parallel and intercut stories dramatize men about to die: both are estranged from a grown child, both want to make contact, and neither child wants anything to do with dad. Earl Partridge's son is a charismatic misogynist; Jimmy Gator's daughter is a cokehead and waif. A mild and caring nurse intercedes for Earl, reaching the son; a prayerful and upright beat cop meets the daughter, is attracted to her, and leads her toward a ... (Full plot summary below)
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24 hours in L.A.; it's raining cats and dogs. Two parallel and intercut stories dramatize men about to die: both are estranged from a grown child, both want to make contact, and neither child wants anything to do with dad. Earl Partridge's son is a charismatic misogynist; Jimmy Gator's daughter is a cokehead and waif. A mild and caring nurse intercedes for Earl, reaching the son; a prayerful and upright beat cop meets the daughter, is attracted to her, and leads her toward a new calm. Meanwhile, guilt consumes Earl's young wife, while two whiz kids, one grown and a loser and the other young and pressured, face their situations. The weather, too, is quirky.
Leave your thoughts about Magnolia.
| Moviereviews.orgMac VerstandigAlthough its too early to tell, P. T. Anderson could ultimately end up leading a filmmaking revolution in Hollywood. |
| Cinemaphile.orgDavid KeyesAs the years pass and we are weathered by universal experiences, the predicaments of Anderson's characters seem less pathetic and more like the plight of everyone we love and admire. |
| The Moving Picture ShowJoe LeydonGo see it for yourself. And don't be surprised if you want to see it again and again. |
| Cinematic ReflectionsDerek SmithMarks the arrival of a great, if not the greatest, modern director |
| TheFilmFile.comDustin PutmanMagnolia is a mind-blowing masterpiece of a movie--heavy in drama, intense emotional material, characters, and underlying themes. |
| Rochester Democrat and ChronicleJack GarnerI'll guarantee you've never seen anything like them on or off the screen. |
| L.A. WeeklyF. X. FeeneyPart poem, part jungle blossom, all brilliance. |
| Chicago Sun-TimesRoger EbertThe kind of film I instinctively respond to. Leave logic at the door. Do not expect subdued taste and restraint, but instead a kind of operatic ecstasy. |
| Chicago TribuneMichael WilmingtonThe kind of brilliantly weirdo picture that, by all rights, shouldn't have gotten made at all but this time, miraculously, was. |
| Reel Film ReviewsDavid NusairUndeniably one of the most emotionally-draining films ever made... |