L.A. Slasher
L.A. Slasher

Watch L.A. Slasher Online Free

- 32/100 based on 947 votes

Driven to rage over the tawdry excesses of reality television, a self-appointed cultural crusader kidnaps several very famous nobodies to make his point- but his crimes only generate more tabloid frenzy.... (Full plot summary below)

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Actors in L.A. Slasher:

Andy Dick
Mischa Barton
Eric Roberts
Abigail Wright
Carlee Baker
Barbara Nedeljakova

Full Plot Details

Driven to rage over the tawdry excesses of reality television, a self-appointed cultural crusader kidnaps several very famous nobodies to make his point- but his crimes only generate more tabloid frenzy.

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Movie Reviews

Los Angeles Times - 7/10 by Martin TsaiEven the most talentless and narcissistic fame seekers on reality television are not nearly as vile, reprehensible or worthless as a film that actively wishes harm on them.
L.A. Weekly - 4/10 by Pete Vonder HaarL.A. Slasher isn't perceptive, shocking, or funny, and if it's remembered for anything, it will be for the tastelessly tone-deaf decision to have the Slasher kill a black actress by dragging her behind a van.
Slant Magazine - 4/10 by Clayton DillardIt inflates the meta conceit (already borderline overblown) of a pop-obsessed, sex-negative serial killer to excessive but trite proportions.
Common Sense Media - 2/10 by Jeffrey M. AndersonThis bloody attempt at satire suffers from comparisons to other movies that did the same thing much better, but also from a flat, facile approach that renders everything slick, soulless, and vacuous.
User Review - 8/10 by camilla jReality television and the assorted "stars" spawned from such fodder have been a scourge on our society for longer than viewers seeking intelligent entertainment can tolerate. But like superheroes taking criminals off the streets, the title character of L.A. SLASHER rids Hollywood of its new wave of celebrities, in the process distorting archetypes and asking: Who are the real heroes and who are the real villains? British director Martin Owen helmed this biting romp (opening exclusively at select AMC theaters this Friday), which focuses on an impeccably dressed antihero with an acerbic tongue (heard in voiceovers by Andy Dick) and a heart full of vitriol, whose attentions are directed at the vacuous and talentless of young Hollywood. A group of superficial reality stars who appear to have nothing of any true worth to contribute become the objects of the Twitter-savvy Slasher's attention in this unique and humorous and unique take on the stalk-and-kill genre. In an ironic twist, the Slasher's Twitter followers soar as he tweets about his unsuspecting victims' futures as well as offering glimpses into his torturous ways via on-line videos. He in turn becomes the subject of entertainment news and a celebrity himself, while making reality TV and its merits (or lack thereof) into subjects of public discussion and debate. One by one, we are introduced to the usual subjects without given names: The Socialite (Korrina Rico), the Teen Mom (Tori Black), The Stripper (Marisa Lauren) and more of the familiar reality-TV types, all with a thirst for acquiring fame by way of minimal integrity. As they flit from one social engagement to the next, spouting sadly believable and often amusingly shallow dialogue, they fall prey to the Slasher, whose venomous vocal jabs are bitingly cynical. Genre regular Danny Trejo and GUARDIANS OF THE GALAXY's Dave Bautista provide additional humor with their amusing rapport as a couple of bumbling drug dealers; Eric Roberts makes an appearance as a corrupt mayor and Mischa Barton demonstrates some humility in her portrayal of an actress whose star is on the wane. But it is Elizabeth Morris who shines brightest as a British heiress, playing the role with gusto and more than a few similarities to reality-TV spawn Kelly Osbourne. Giving L.A. SLASHER an additional horror pedigree are cameos by the likes of HUMAN CENTIPEDE's Ashlynn Yennie and HOSTEL's Barbara Nedeljakova; former Fango writer Sean Decker was part of the producing team, and there are a number of genre references scattered throughout. Fans of 1980s-style animated title sequences will get a kick out of the Pander Brothers' bright and visually pleasing opening credits, accompanied by ABC's '82 anthem "The Look of Love." The songs and sounds of the decade adorn the film throughout, in fact, nicely complementing its stylistic and colorful feast for the eyes. With late-night Hollywood as the frequent backdrop, the action pulses to composer Mac Quayle's synth score against a neon-pink visual aesthetic. Chase Bowman's cinematography contrasts Tinseltown's vibrant color palette against its seedy underbelly, and the kinetic, non-linear editing would not feel out of place at times in a high-octane music video. Although this approach to the narrative is one of the elements that sets L.A. SLASHER apart, it also lets the movie down at certain points, making some of the story development feel haphazard. And because the film deals with such well-known small-screen archetypes, the characters inevitably come off as somewhat one-dimensional and predictable. However, this angle may have been a conscious decision by Owen and his collaborators, to highlight the superficiality of the aspiring fame-chasers. Certainly, the juggernaut that is reality television is ripe for a bit of bloody satire, and Owen succeeds in shining a light on the ridiculousness of this pop-culture steamroller, with tongue firmly planted in cheek. Anyone whose sick of the omnipresence of these famous-for-being-famous types will get a kick out of watching these pop-culture personalities receive their comeuppance in such an entertaining manner.
User Review - 8/10 by Daniel KI had saw the LA Slasher at Zed Fest several months ago (where it won I believe several awards). And was pleasantly surprised by what I saw. I halfway expected a trope salad and disappointment and was mentally preparing myself to sit down and watch a film I ultimately wouldn't like...couldn't have been further off in my irrational fear. LA Slasher was great fun. The film uses the slasher genre to lampoon and satirize popular culture, consumers digestion of pop culture, and news outlets like TMZ and E! News. Needless to say it was a refreshing film to sit down and watch. It's supremely tongue and cheek and stylistically evocative of films like "Natural Born Killers" and "Spring Breakers" . Despite being a slasher it is very upbeat and funny. In the most positive way "The LA Slasher" is very much and possibly the first Bubblegum-Slasher film...and I like it!
User Review - 6/10 by Alan PDon't really know what to say. Kinda crappy but not. Maybe it's because the victims were these shitty non celebs with annoying voices that meant I wasn't interested in their characters because they don't have character could easily happen for real. God bless America Did this massively better.
User Review - 4/10 by Jesse FThe concept was their but the execution was bad.
User Review - 4/10 by Darren Tgood plot, but not a fan of the production. too much unnecessary background music, terrinble Andy Dick narrarative... could've been WAY better.

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