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| The PlaylistSimon AbramsKnock at the Cabin does not disappoint. It’s a movie that reminds us why Shyamalan is one of contemporary cinema’s greatest alchemists and a prime example of a filmmaker at his best and boldest. |
| UproxxMike RyanThe result is a truly suspenseful film with a powerful, emotional ending. Again, it’s one of Shyamalan’s best. |
| Austin ChronicleTrace SauveurIt’s harrowing to ponder, but a joy to watch unfold when told by someone with such distinct cinematic prowess. |
| New York Magazine (Vulture)Bilge EbiriThe result is the most exhilarating and wounding film M. Night Shyamalan has made in many, many years. |
| Paste MagazineBrianna ZiglerReleased a little under two years since Shyamalan’s previous film, Knock at the Cabin plays like an old dog who learned new tricks. It’s a sharper, more propulsive and formally exciting dramatic thriller that has far fewer disappointments in storytelling and visuals than 2021’s Old while revisiting and expanding upon familiar themes of family that Shyamalan has explored his entire career. |
| The AtlanticDavid SimsKnock at the Cabin avoids this problem partly through its deft casting, with Bautista serving as the most pivotal player. So much of the movie revolves around Leonard’s surreal monologues; the actor keeps a firm grasp on Leonard’s belief in his every word. |
| Boston GlobeOdie HendersonKnock at the Cabin unfolds like a good beach novel, one you can’t put down. |
| Slant MagazineJake ColeThe film takes its time delving into its characters' headspaces, to the point that it becomes less of a thriller than an unorthodox character study, especially as its expertly deployed use of flashback slowly forms the emotional core of the story. |
| USA TodayBrian TruittTop-shelf Shyamalan. Centered on a family having to make the most dreadful of decisions, “Knock” is a well-crafted intimate thriller that plays with your expectations and immerses you in a disconcerting situation. |
| ColliderRoss BonaimeAt its very core, Knock at the Cabin works because it reminds of the early days of Shyamalan, when he felt like the next coming of Alfred Hitchcock, and his films would leave the audience talking for days after. |
