
All of Greenleaf, Indiana is watching this year's telecast of the Oscars as Hollywood heartthrob and local boy made good Cameron Drake has been nominated for his first ever Best Actor Oscar for his latest movie role as a gay soldier. Cameron's high school English teacher Howard Brackett is overjoyed when Cameron wins the award and mentions Howard's contribution in his acting life. That joy turns to horror when Cameron mentions to the worldwide audience that Howard is gay, esp... (Full plot summary below)
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All of Greenleaf, Indiana is watching this year's telecast of the Oscars as Hollywood heartthrob and local boy made good Cameron Drake has been nominated for his first ever Best Actor Oscar for his latest movie role as a gay soldier. Cameron's high school English teacher Howard Brackett is overjoyed when Cameron wins the award and mentions Howard's contribution in his acting life. That joy turns to horror when Cameron mentions to the worldwide audience that Howard is gay, especially horrific to Howard as he is engaged to fellow teacher Emily Montgomery, a woman with self-esteem issues as she had battled weight issues most of her life before she lost seventy-five pounds for the wedding. Howard's life is totally disrupted as Hollywood media descends on Greenleaf in order to get Howard's story. The rest of Greenleaf also openly wonders if Howard is indeed gay, as he exhibits many stereotypical gay tendencies, such as being neat, and loving music, dancing, poetry and Barbra Streisand. His cause is not helped in that his and Emily's relationship has not yet been consummated. The one person not concerned is Emily, who trusts Howard. As Howard continues to deny being gay to his family, friends and colleagues, he begins to examine himself hypercritically if only because if others believe he's gay, there may be some merit to the claim, as well as because of an incident that occurs with Hollywood reporter Peter Malloy, who is doing a week-long piece on Howard leading up to his and Emily's wedding. But Cameron Drake may be able to provide some overall perspective to what is happening to Howard and the frenzy he has caused.
Leave your thoughts about In & Out.
| New York TimesJanet Maslin[Delivers] laughs and skewer a few stereotypes, thanks to extremely sly wit and a fine cast. |
| Cincinnati EnquirerMargaret A. McGurkOh, what a swell movie we have with In & Out. |
| NUVO NewsweeklyEdward Johnson-OttIn And Out is one comedy that truly deserves respect. |
| rec.arts.movies.reviewsTed PriggeThe ending, a hilarious spoof on the films of Frank Capra, is further proof of how funny this film can be, walking right on the edge between parody and preachiness. |
| Entertainment WeeklyLisa SchwarzbaumAs a sharky, gay TV journalist investigating the story, Tom Selleck charms by playing in contrast to his own determinedly hetero persona. |
| Rolling StonePeter TraversThe butt of the hilarious and heartfelt screenplay by Paul Rudnick (Jeffrey) is homophobia, and his sting is wickedly on target. |
| ReelViewsJames BerardinelliThis is a rare, "feel good" motion picture that doesn't insult our intelligence while making its play for our emotions. |
| Ozus' World Movie ReviewsDennis SchwartzA benign spoof on the bias people have against gays. |
| Deseret News (Salt Lake City)Chris HicksThe cast is perfect, with Kline dominating in a charming and funny performance. But Cusack also stands out, making her humiliated character funny, sweet and a bit loopy. |
| SPLICEDWireRob BlackwelderIn & Out doesn't take itself seriously for a moment, which is why the halcyon-happy schmaltz that floats through the movie and floods the last reel is forgivable. |