
Impulso tells us one of the most captivating challenges in the history of modern flamenco: the creation of the new show by Spanish dancer and choreographer Rocío Molina for the Théâtre National de Chaillot in Paris.... (Full plot summary below)
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Impulso tells us one of the most captivating challenges in the history of modern flamenco: the creation of the new show by Spanish dancer and choreographer Rocío Molina for the Théâtre National de Chaillot in Paris.
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| The Hollywood ReporterFrank ScheckFor all its effective camerawork and editing, the film can't fully convey the experience of seeing its subject in person. But it certainly provides more than enough motivation for making every effort to do so. |
| Film Journal InternationalLisa Jo SagollaWhile she is a fascinating contemporary performer—one who certainly merits introducing, as many dance aficionados don’t even know who she is—this extended cinematic look at Molina might have been more effective as a documentary short. |
| The New York TimesBen KenigsbergThe movie’s challenge is to bottle her spontaneity, which is clearly thrilling to behold in person but less dynamic in a medium that requires every move to be selected in advance, without the suspenseful bond that an artist shares with a live audience. Belmonte gets caught between two modes of nonfiction filmmaking. |