
Aubrey Fleming is a regular high school student with friends and family. One night, she unexpectedly disappears. Two weeks later she is found unconscious in the middle of the woods. When spoken to, her loved ones realize she has forgotten her identity and the personality living in her body is Dakota Moss, a character that Aubrey created in one of her stories for an English assignment. Dakota denies ever being Aubrey knowing that they look identical. Now, Dakota must try to un... (Full plot summary below)
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Aubrey Fleming is a regular high school student with friends and family. One night, she unexpectedly disappears. Two weeks later she is found unconscious in the middle of the woods. When spoken to, her loved ones realize she has forgotten her identity and the personality living in her body is Dakota Moss, a character that Aubrey created in one of her stories for an English assignment. Dakota denies ever being Aubrey knowing that they look identical. Now, Dakota must try to unravel the mystery of how her and Aubrey co-exist and find out who abducted Aubrey that night.
Leave your thoughts about I Know Who Killed Me.
| AV ClubNathan RabinHaving broken free of the Disney machine that molded her, Lohan now seems intent on destroying her career and credibility on her own terms. |
| Film School RejectsChris BeaumontLost yet? Director Chris Sivertson does not offer much direction. |
| VarietyJoe LeydonMuch like the ongoing real-world meltdown of its troubled star, Lindsay Lohan, I Know Who Killed Me is a disaster that exerts a perverse fascination. |
| EricDSnider.comEric D. SniderLurid, over-sexualized, and boring when it's not being actively unpleasant. |
| E! OnlineTod GoldbergPoorly written in every conceivable way -- the screenwriter never met an expositional statement he didn't love -- and shot as if the director, Chris Sivertson, wanted David Fincher to know how much he really, really admires him. |
| Reel.comPam GradyThe whole thing is perverse, with first-time (and hopefully last time) screenwriter Jeffrey Hammond and director Chris Sivertson taking particular delight in the way the killer toys with his victims. |
| TheFilmFile.comDustin PutmanThe images, flooded in deep blues and reds, are vibrant and just plain gorgeous, turning even empty moments into chances to aesthetically wow the viewer. |
| FilmsInReview.comVictoria AlexanderTerrible, but not a bad as Lohan's last 5 movies. |
| One Guy's OpinionFrank SwietekThis sleazy, silly thriller is so bad it doesn't even seem to realize it's unadulterated kitsch. |
| L.A. WeeklyJim RidleyIn short, it’s a gift-wrapped part for Lohan, who plays her good-girl/bad-girl role with wit and an air of sly calculation. |