House of Bamboo
House of Bamboo

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- 68/100 based on 3,948 votes

In Tokyo, a ruthless gang starts holding up U.S. ammunition trains, prepared to kill any of their own members wounded during a robbery. Down-at-heel ex-serviceman Eddie Spannier arrives from the States, apparently at the invitation of one such unfortunate. But Eddie isn't quite what he seems as he manages to make contact with Sandy Dawson, who is obviously running some sort of big operation, and his plan is helped by acquaintance with Mariko, the secret Japanese wife of the d... (Full plot summary below)

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Full Plot Details

In Tokyo, a ruthless gang starts holding up U.S. ammunition trains, prepared to kill any of their own members wounded during a robbery. Down-at-heel ex-serviceman Eddie Spannier arrives from the States, apparently at the invitation of one such unfortunate. But Eddie isn't quite what he seems as he manages to make contact with Sandy Dawson, who is obviously running some sort of big operation, and his plan is helped by acquaintance with Mariko, the secret Japanese wife of the dead American.

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Movie Reviews

Time Out - 10/10 by David FearA masterpiece that pinpoints the sublime in Fuller's sensationalism and earns every inch of its widescreen real estate.
ReelTalk Movie Reviews - 9/10 by Donald J. LevitLocation-shot without permission in Tokyo-Yokohama, this CinemaScope noir zooms in on touristy sights without capturing the nation's postwar trauma about to move into transformation.
Filmcritic.com - 9/10 by Chris BarsantiThe limits of the lengths to which dazzling camerawork and curled-lip noir bravado can make up for thoroughly ham-fisted dialogue are tested in Sam Fuller's gangster picture
MUBI - 8/10 by Fernando F. Croce[House of Bamboo] is an example of the iconoclastic filmmaker's ribald eye for cinematic collisions of characters and forms.
Chicago Reader - 7/10 by Don DrukerOne of Samuel Fuller's best, a tough, sometimes nasty, but always exciting 1955 effort in 'Scope and color that unites three of his favorite topics: military comradeship, the underworld, and the Far East.
Variety - 7/10 by Variety StaffNovelty of scene and a warm, believable performance by Japanese star Shirley Yamaguchi are two of the better values in the production.
Combustible Celluloid - 6/10 by Jeffrey M. AndersonFuller's masterful use of natural locations within the Cinemascope frame drives the film, especially the climactic shoot-out on a giant, spinning globe at a carnival.
The Retro Set - 6/10 by Nathanael HoodThe deficit of narrative and tonal cohesion prevents it from matching or exceeding the quality of the film it was loosely remade from: William Keighley's The Street With No Name (1948).
User Review - 10/10 by Jack GBeautiful colors + Robert Stack. So of course, great.
User Review - 10/10 by andrew kfuller the most underated director of all time

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House of Bamboo