
An episodic look at a young man's life in Mexico's national highway patrol. We follow Pedro Rojas from cadet training and his rookie assignment in a northern border area, to his quick courtship, his taking of bribes ("la mordida"), and his slow exposure to drug smuggling. Rojas re-forms his idealism as youthful naivete gives way to an adult's complicated choices.... (Full plot summary below)
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An episodic look at a young man's life in Mexico's national highway patrol. We follow Pedro Rojas from cadet training and his rookie assignment in a northern border area, to his quick courtship, his taking of bribes ("la mordida"), and his slow exposure to drug smuggling. Rojas re-forms his idealism as youthful naivete gives way to an adult's complicated choices.
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| Ozus' World Movie ReviewsDennis SchwartzLow-budget accomplished black comedy cautionary morality tale. |
| Combustible CelluloidJeffrey M. Anderson[Pedro] becomes perhaps the warmest protagonist in the director's entire canon. |
| User ReviewStuart KAfter Walker (1987), director Alex Cox was blacklisted from Hollywood, not only for attacking American foreign policy in that film, but also for breaking the WGA strike in 1988. Aside from doing introductions for BBC2's Moviedrome, he struggled to get films made, but his producer from Walker, Lorenzo O'Brien, had wrote a script, which Cox liked, however it was set in Mexico. But language barriers didn't bother Cox a bit. It begins with Pedro Rojas (Roberto Sosa) joining the Mexican highway patrol, he's young but eager to learn, and do right for the community. He works in the rural north of Mexico, which has wide open spaces but is open to all sorts of corruption, which Rojas wants no part of. However, his patrol partner Anibal Guerrero (Bruno Bichir) frequently takes bribes, which Rojas is scornful of. But, it's not long before Rojas starts turning to a life of crime, he cheats on his wife Griselda (Zaide Silvia Gutiérrez) with a local prostitute called Maribel (Vanessa Bauche), and it's Rojas who gets the money for it, not Maribel. But it's not long before this corrupt lifestyle catches up with Rojas big time. Even in Spanish, you can recognise Cox's stylistic direction and offbeat set-ups. It makes for an interesting moral tale about about the trouble corruption and power can land some people in, it should have seen Cox return to cinema, but he's struggled with trying to get films made ever since. Shame. |
| User ReviewEric BInteresting film that certainly does no harm to Cox's cult status. |
| User ReviewJonathan BI did not expect this movie to be as good as it was.Definitely a must see |
| User ReviewCarlos ZFar from being an excellent piece of cinematography, but the portrayal of Latinamerican police forces and the inherent corruption in them is quite realistic. |
| User ReviewxGary XAlex Cox's meandering cop story feels more like a road movie than a thriller per se. It follows a Mexican highway patrolman from his graduation from the academy through his posting on a deserted stretch of highway to his showdown with a local drug runner who killed his partner. It has a lot to commend it; the off-beat subject matter, gentle humour, good performances and well shot sun drenched landscapes. The main problem with it is it's lack of drama. The long anticipated showdown doesn't really come to anything; it may be making some clever analogy about Mexico's inability to hold accountable the foreigners who use it for their own corrupt ends, but it did not make a satisfying climax to the film entertainment-wise; this is not helped by having a rather wishy washy protagonist who is neither really good nor bad enough to intrigue. Having said that, there is still enough material of merit here to warrant a look, especially for fans of world cinema. |
| User ReviewGreg Wgood tale of a cop in mexico city from the director of the original 'repo man' also year s/b 1991not 1993 |
| User ReviewGary CAlex Cox's meandering cop story feels more like a road movie than a thriller per se. It follows a Mexican highway patrolman from his graduation from the academy through his posting on a deserted stretch of highway to his showdown with a local drug runner who killed his partner. It has a lot to commend it; the off-beat subject matter, gentle humour, good performances and well shot sun drenched landscapes. The main problem with it is it's lack of drama. The long anticipated showdown doesn't really come to anything; it may be making some clever analogy about Mexico's inability to hold accountable the foreigners who use it for their own corrupt ends, but it did not make a satisfying climax to the film entertainment-wise; this is not helped by having a rather wishy washy protagonist who is neither really good nor bad enough to intrigue. Having said that, there is still enough material of merit here to warrant a look, especially for fans of world cinema. |