Hell's House
Hell's House

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- 57/100 based on 1,389 votes
  • Released: 1932
  • Runtime: 72 mins
  • Director:
  • Studio: B.F. Zeidman Productions Ltd.
  • Genres: Drama

Jimmy Mason idolizes bootlegger Matt Kelly who is dating Peggy. Unwilling to squeal on his idol, Jimmy winds up in a cruel reformatory where a new- found friend is dying from abuse. Jimmy escapes to report the abuse. Matt and Peggy help him once he has escaped.... (Full plot summary below)

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Full Plot Details

Jimmy Mason idolizes bootlegger Matt Kelly who is dating Peggy. Unwilling to squeal on his idol, Jimmy winds up in a cruel reformatory where a new- found friend is dying from abuse. Jimmy escapes to report the abuse. Matt and Peggy help him once he has escaped.

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Movie Reviews

User Review - 6/10 by jay nNOT ONE OF BETTE DAVIS' BEST, BUT SHE HAS NEVER MADE A MOVIE THAT I WOULD RATE A 5 OR LESS. THIS CRIME DRAMA DEALS WITH BOOTLEGGERS, DAVIS IS MOSTLY WASTED, BUT WHEN SHE IS IN THE FILM THE SCREEN COMES ALIVE.
User Review - 6/10 by Cody COdd little movie. Kinda starts off as a dark comedy, then starts taking itself more seriously as it goes on. Becomes pretty cheesy, but touching, towards the end. If you're watching this for Bette Davis, she's only a side character, but she's gorgeous and does well with the small role she's given. Worth watching I'd say, but expect to be sort of disoriented by the tonal shifts. It's got parts, though. And it's never boring or anything.
User Review - 6/10 by Eric RHell's House is a mediocre film exposing the poor conditions and abuse which take place in the state reform schools during the time period. Bette Davis and Pat O Brien headline the cast, but really this film is entirely on the shoulders of Junior Durkin, who plays Jimmy, a young man who is sent to boarding school after aiding O'Brien's character in his bootlegger operation. It's kinda interesting cause the film really focuses on Jimmy's naive character and his plight at the boarding school, but at the end of the film, it is Pat O Brien's character who makes the ultimate decision which makes the difference in changing things. It's really just a mediocre endeavor where none of the technical aspects, acting or screenplay do much to elevate the film above just being an average movie.
User Review - 6/10 by Aj VThis movie was not what I expected to see when I saw the title was hell's house. I thought it would be a horror movie, but it is a serious drama about young men in prison. It's okay if that's the kind of movie you want to see.
User Review - 4/10 by Robert BHell's House (Howard Higgin, 1932) Hell's House still exists in the public consciousness solely because of Bette Davis. That's a literal statement-the movie was thought lost for years, until Davis passed away and her personal film collection was donated to the National Archives; a copy of Hell's House was discovered therein. It was Davis' sixth feature, made when she was still in her early twenties (all five of her previous features were made in 1931); it was also co-lead Pat O'Brien's sixth. But both of these big-name stars pale in comparison, in this potboiler, to the movie's real star, Junior Durkin. Durkin is very little remembered these days thanks to his untimely death in a 1935 road accident (he was only nineteen years old), but he was big business in the early thirties; his very little screen output included playing Huck Finn in both Tom Sawyer (1930) and Huckleberry Finn (1931) and Franz in Phil Rosen's 1934 adaptation of Little Men. While Hell's House is a potboiler, and Davis and O'Brien give it about the treatment it deserves, Durkin throws himself into the role in a way one rarely sees in movies like this. I mean, we're talking Edward-G-Robinson-in-Scarface here. Plot: O'Brien plays Matt Kelly, a bootlegger in the days when that was a profitable business. Durkin plays Jimmy, one of Kelly's hangers-on. After a job gone bad, Jimmy gets nabbed for a minor crime Kelly committed. After refusing to snitch, Jimmy is sent to a reform school that make the conditions on the Island of Doomed Men seem downright hospitable. While there, he befriends Shorty (the great character actor Frank Coughlin Jr. in one of his few credited roles), who has a heart condition exacerbated by the brutal treatment he receives there. Once Jimmy gets out, he enlists Kelly and Kelly's girlfriend Peggy (Davis) to help spread the word about the deplorable reform school and bring its tyrant of a headmaster (James A. Marcus, another often-uncredited character actor) to justice. Yes, it's a genre thriller, predictable and manipulative, an otherwise forgettable product of its time save the fame its two leads would go onto and the once-in-a-lifetime performance given by a child star whose ascent to fame was cruelly ended. But those things make it interesting, at least, as a piece of cinematic history; if you're a student of the early days of film, it's worth checking out on that angle. Others can take it or leave it as they will. **

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