He Was a Quiet Man
He Was a Quiet Man

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- 67/100 based on 22,964 votes

A troubled loner, Bob Maconel, imagines blowing up the tower in Los Angeles where he works. He takes a revolver to his office intent on killing colleagues, and then himself. At home, he holds conversations with his fish, who encourage him to do it. His supervisor picks on him. As he's screwing his courage to the sticking place, he drops a bullet; while on the floor looking for it, another colleague does exactly what Bob has been planning. Bob emerges a hero and the one collea... (Full plot summary below)

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Full Plot Details

A troubled loner, Bob Maconel, imagines blowing up the tower in Los Angeles where he works. He takes a revolver to his office intent on killing colleagues, and then himself. At home, he holds conversations with his fish, who encourage him to do it. His supervisor picks on him. As he's screwing his courage to the sticking place, he drops a bullet; while on the floor looking for it, another colleague does exactly what Bob has been planning. Bob emerges a hero and the one colleague he likes, a woman with a bright smile, is severely wounded. Can Bob help her through despair and find himself and joy in life? Or, as everyone says, is this impossible for a man like him?

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Movie Reviews

JWR - 9/10 by S. James WeggCappello's brilliant script and expert storytelling would merely be interesting if anyone other than Christian Slater had been cast as Bob Maconel.
Seattle Post-Intelligencer - 8/10 by William ArnoldWith his Jack Nicholson mannerisms extinguished and his boyish features made up to look worn and aged, Slater also makes us believe and care about this guy. A movie this marginal isn't likely to get much notice, but it's one of the very best things he has done.
Combustible Celluloid - 8/10 by Jeffrey M. AndersonSlater really sells Bob's tormented inner soul in a very appealing way; he feels like a real person inside his insane world.
DVDTalk.com - 7/10 by Brian OrndorfThe nightmare is enhanced by Slater's gonzo performance. It's great to see the once mighty king of cool challenged in Quiet Man with a complex role that Slater bites down hard on.
L.A. Weekly - 7/10 by Scott FoundasHe Was a Quiet Man casts its own perversely funny spell thanks in large part to Slater, whose wonderfully shifty, beaten-down performance is easily his best in the 17 years.
Empire Magazine - 6/10 by Kat BrownAn enjoyable satire is let down by a third act that juggles too many ideas for its own good.
Guardian - 6/10 by Peter BradshawA real oddity of a film: a satire of corporate office despair.
The List - 6/10 by Kaleem AftabIn this audacious crime caper, written and directed by Frank A Cappello, Slater finally gives a leading-man performance that delivers on his early promise.
Film4 - 6/10 by Tristan BurkeChristian Slater's dedicated performance aside, He Was A Quiet Man tries to be both a black comedy and a drama, each ultimately undermining the other.
New York Post - 5/10 by Lou LumenickInitially shows promise, but filmmaker Frank Cappello (the early Russell Crowe vehicle "No Way Back") gets bogged down when Slater becomes involved with Elisa Cuthbert, a paraplegic survivor of the shooting who wants him to kill her.

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He Was a Quiet Man