
Hunt Stevenson works for a large car manufacturer that has just been bought out by a Japanese firm. Suddenly finding himself having to justify his own job, he's forced to choose between redundancy or the seemingly inhuman Japanese work ethic that the new owners have brought with them.... (Full plot summary below)
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Hunt Stevenson works for a large car manufacturer that has just been bought out by a Japanese firm. Suddenly finding himself having to justify his own job, he's forced to choose between redundancy or the seemingly inhuman Japanese work ethic that the new owners have brought with them.
Leave your thoughts about Gung Ho.
| Chicago TribuneGene SiskelThe film would be funnier and more provocative if it took a stronger stand on one side or the other, but Howard chooses to hedge his bets, selecting an ending that celebrates brotherhood more than the strongly hinted- at notion that American workers would do well to get off their featherbedding backs. |
| Los Angeles TimesKevin ThomasGung Ho goes after that ever-so-elusive Capra-esque spirit of communal triumph over adversity, but both sides too often verge on stereotypes for this to pay off as richly as it should. |
| Washington PostPaul AttanasioBy the end, it's curiously unformed, almost a blueprint for another movie. |
| Miami HeraldBill CosfordI think the fault is in the screenplay, which tells a story that can be predicted almost from the opening frames. The people who wrote this movie did not bother, or dare, to give us truly individual Japanese characters; there is only one who is developed with any care. |
| Chicago Sun-TimesRoger EbertI think the fault is in the screenplay, which tells a story that can be predicted almost from the opening frames. The people who wrote this movie did not bother, or dare, to give us truly individual Japanese characters; there is only one who is developed with any care. |
| Flipside Movie EmporiumRob VauxThe stereotypes are too broad for comfort, despite some funny moments. |
| Washington PostRita KempleyIt's more cheerful than funny, and so insistently ungrudging about Americans and Japanese alike that its satire cuts like a wet sponge. |
| The New York TimesVincent CanbyIt's more cheerful than funny, and so insistently ungrudging about Americans and Japanese alike that its satire cuts like a wet sponge. |
| TimeRichard CorlissIts tone swings violently from pratfall to preachment, from an indictment of featherbed laziness to an extended beer-commercial celebration of the mythical American worker. |
| NewsweekDavid AnsenIts tone swings violently from pratfall to preachment, from an indictment of featherbed laziness to an extended beer-commercial celebration of the mythical American worker. |