
The story is set at the beginning of the 20th century in Sicily. Salvatore, a very poor farmer, and a widower, decides to emigrate to the US with all his family, including his old mother. Before they embark, they meet Lucy. She is supposed to be a British lady and wants to come back to the States. Lucy, or Luce as Salvatore calls her, for unknown reasons wants to marry someone before to arrive to Ellis Island in New York. Salvatore accepts the proposal. Once they arrive in El... (Full plot summary below)
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The story is set at the beginning of the 20th century in Sicily. Salvatore, a very poor farmer, and a widower, decides to emigrate to the US with all his family, including his old mother. Before they embark, they meet Lucy. She is supposed to be a British lady and wants to come back to the States. Lucy, or Luce as Salvatore calls her, for unknown reasons wants to marry someone before to arrive to Ellis Island in New York. Salvatore accepts the proposal. Once they arrive in Ellis Island they spend the quarantine period trying to pass the examinations to be admitted to the States. Tests are not so simple for poor farmers coming from Sicily. Their destiny is in the hands of the custom officers.
Leave your thoughts about Golden Door.
| TV GuideKen FoxSicilian-born filmmaker Emanuele Crialese takes a huge leap forward from his pretty but simplistic "Respiro" with this highly original, startlingly beautiful and emotionally resonant film. |
| Wall Street JournalJoe MorgensternAfter countless films in which immigration plays a central role -- one of the earliest was Charlie Chaplin's 1917 silent classic "The Immigrant" while one of the best, Jan Troell's "The Emigrants," has never migrated to DVD -- you'd think the canon was essentially complete. Yet this visionary work adds to it by combining harsh realities with magic-realist fantasies. |
| Boston GlobeWesley MorrisIt's so hypnotically breathtaking, you don't realize you're not breathing. By the final shot, you don't realize you're crying either, but there go the tears. |
| Arizona RepublicRichard NilsenThe film never really coheres, and although some scenes are amazing, the total is slow, ponderous and sometimes silly. |
| PopMattersCynthia FuchsEmanuele Crialese's wondrous Nuovomondo (Golden Door) recalls America's erstwhile promise with a mix of exhilaration and delicacy, peppered with judicious insight. |
| Seattle Post-IntelligencerSean AxmakerThe familiar majesty of the Statue of Liberty and the New York skyline is replaced with anticipation and imagination. The sense of hope and wonder is the greater for it, and the sense of promise glows from the screen. |
| Washington PostAnn HornadayWrit small, Golden Door is an absorbing and moving love story; writ large, it's the story we've never stopped telling ourselves. |
| Philadelphia InquirerSteven ReaThe Golden Door feels, at points, like a silent film - a silent film with CinemaScope vistas and dazzling, saturated color. |
| Christian Science MonitorPeter RainerDraggy Italian epic that's big on production values but skimpy on inspiration. |
| Village VoiceJean OppenheimerWith dialogue kept to a minimum, cinematographer Agnés Godard confirms her status as one of the most extraordinary visual artists working today. |